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I'm looking for an inexpensive PA... 300 to 500 dollar range that is portable and can be used live. Not at any HUGE venues, just say at coffee shops or bars or maybe in a small theater or something like that. Any advice?

john mayer is running a competition (well was, you can't enter anymore)... anyway... he wrote the lyrics, I wrote the music and recorded. criticisms and questions welcome. I call it "that's enough, john mayer". I have learned a lot about recording in one year from this board. this is where I'm...

does anyone have a list of record labels (major or independent) that accept demo submissions?

which should I join? why? any information is appreciated.

I have an idea... but I need your help. There's absolutely no reason to do this other than to see if it can be done... What I would like to see is a nation wide promotion of my band's new album (we are completely independent)... I've heard of other bands going #1 even though they are...

• record covers and infiltrate the p2p networks with your blasphemy • two words: sidewalk chalk your turn! <3

these songs are done, but I'd like to hear any feedback/criticism to see what can be done better next time around. thanks. 1. http://www.michaelchagnon.com/ev/music/Escape%20Velocity%20-%20Dont%20push%20me%20away.mp3 2...

anyone have any high quality free drum samples I can use for triggers? particularly a great kick sound! this is for pop/rock sort of thing... I suppose I could take samples from professionally recorded tracks, but I was wondering if anyone has had experience with this - do you have any you've...

just wondering what your personal favorites are... I'm looking to get a decent one about $500 dollar range... maybe less maybe more. particularly for distortion. what do you all think of the line6 (http://www.zzounds.com/a--2676837/item--LINPODXTPRO) ? any tips on what to look for and what not...

does anyone know how to rewire or set speakers out of phase so that a vocalist can record listening to speakers without much bleed? if there an easy solution to this? is there a software solution that could be made that could send out a different signal left and right? hope to see some response...

http://www.escapevelocity.ws critiques encouraged... designed myself... may change a bit here and there later, but you get the idea.

http://www.airwindows.com/analysis/Dynamics.html it discusses how compression affect whether or not your record will be a hit!

hey, I have this new idea for online distribution and it will act as a sort of record label promoting "artists" online. anyway, I need some people willing to participate. what you need is 14 fairly well-recorded songs and a high quality photograph. just reply to this thread or PM me. I don't...

we are selling it on our website, but for homerecording.com I kind of wanted to let everyone hear it for free... anyway, some response and criticism would be nice. it's about 30mb. https://s30.yousendit.com/d.aspx?id=0UG98PL1PPXSS0NDVRZTKO86J7 we did it all ourselves. did not get it...

anyone heard of holophony? definiton here: http://en.wikipedia.org/wiki/Holophony sounds better than dolby. article here: http://www.chscene.ch/ccc/habi2/115_holophonic_sound.html true 3d sound? better than stereo? I don't know... seems weird.

I'd like to know what techniques you use on drums, guitars, guitar amps, bass guitars, and vocals as far as setting them up in the room. I'd also like to know how you set up the microphones and what levels you set them at when recording. I use an Aardvark Direct Pro 24/96 and it says when...

recently just redesigned my bands website for the release of the next cd soon... I'd appreciate any critiques on it and what more I could add to it... http://www.escapevelocity.ws thanks

this is it... I don't care anymore. http://www.michaelchagnon.com/mp3/Escape%20Velocity%20-%20Fall%20in%20love%20again.mp3

how do you usually set your compression when tracking vocals, guitar (both acoustic and electric), bass, and drums... if you even set it at all. I know some people only compress their vocals during tracking and nothing else. secondly, do you record at a highest possible volume without clipping...

ok, say I have a final CD in my hands, they've all been pressed, they are shrink wrapped and have bar codes on 'em... how in the hell do I get stores to pick them up and distribute them? I know all of the local independent record stores in my area (record exchange/plan 9) will sell them for me...