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  1. L

    mysterious console view s3

    when i use 2 monitors consul view shows 3 panes: 1) tracks 2) a,b aux1 and 2, 3)410- 123 and 410 -345(my soundcard is 410 m-audio I was assuming that the middle pane "a" was what would be "recording" what the mix was when exporting but now i'm not so sure When i put a "track inspector"...
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    ? inserting measures in middle of song

    is there a way of copying and pasting into the middle of a song 4 measures of all track at the same time- -note -the song needs a place for a lead to go in
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    safe mode and corrupt file

    one project (song) plays but when I try and close it it causes sonar to crash -even when opened in safe mode (all plugin disabled !) is there some way of retrieving all the tracks to another project or any clues what is going on i'd rather not start from scratch
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    yea

    the stuff in the beginning and the overlightness isn't apprropriate for the powerful"......could laugh" yea the lightness production may be close but you have to recognize the serious melody hook (line) youve stumbled upon and really pay it homage the sound points in a good direction but needs...
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    mp3 encoder won't launch s3 p

    tryed to bounce dow to mp3 16 bit but after it did the long blue line it said it coudn't launch the mp3 encoder
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    dual monitors

    tryed it -like it but it seems that two seventeen inch monitors arnt big enough am looking at 18 or 19 inch lcd monitor for console view and use my 17 in lcd for track-because console menu items are too small to be satisfing what about a hdtv, crt, lcd or projection monitor for the second...
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    lexicon pateon reverb

    how can sonar not have documentation for the lexicon reveb it packages w/s3 . does anybody have a guide for the parameters i went to lexicon web site and saw documentatio for sir impulses but not the patheon or "pathetic" I suspect it might be able to do good but the settings are difficult...
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    one song won't register on meters

    all my songs except one register on meters( track and console)- note it does seem to register peak (clipping) help
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    recording bass (di box?)

    is a di box important for recording bass and if so why
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    desert island -must haves!

    what auxillary equipment would you need to take with sonar setup if stranded on desert island w/electricity (of course). ie 2 monitors, projection monitor, plugin effects (be specific), (cordless keyboard and mouse) control surfaces, or ???? -what can't you live without that just makes things...
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    loop recording loses aus send function

    when i do looping when recording a track the following looped tracks dont have all the buttons to recieve aus send like the original track-- note it does't seem that these folliowing loopred tracks iinheiret the "parent tracks" aux send effects
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    does sirs latency demands affert buss send quality of reverb

    do the high latency requirement of "sir " get compensated by vst in buss send or are the impules still "correctly" registered (? am i missing somthing?)--- or should you primarily use it on the output channel like someone in the forum suggested
  13. L

    standard version

    the waves stuff is much simpler and great the sir reverb is a great substitute for the lex reverb
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    using spectrum analysis for mix or master

    does any one use spectrum analysis to "lay out" final mix or for mastering or is this an irrelivant issue- or how do others put it to use?
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    hey moskus

    actually i was trying to compare it to the ultra funk sonar3 suite or sonar 3 producer package -apparently craig andersons new book is going to deal w/ this issue in his new book on sonar. but i guess the question boils down to a mastering question- is it simply eq and compression/ limiting with...
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    lol ?

    what does ozone do different both have limiting and by the way what does lol mean
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    sonar 3 mastering w/ ultrafunk

    does anyone think that the multiband compressor is good for mastering or do other packages have something special
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    recording vocals w/ compression

    i like using compression for input monitoring my vocals but since it doesn't affect the volume to tape (a joke!) how do you know how hot the signal is thats being recorded does the track view monitor tell the truth in this situation. or you just take a stab in the dark at correct volume
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    compression and volume envelopes

    it seem that compression will negate the effects of volume envelopes (especially on vocals) is there a "right" way to use compression and volume envelopes -do they "mix"
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    ?upgrade to sonar 3 producer or buy waves renassance max

    i have sonar 2.2 and can't decide wether to buy renassance maxx (waves) or to to upgrade to 3.1 producer. is there a big difference is effects quakity and simplicity? does 3 still have poor dithering down to 16 bit and how steep is the learning curve- are there any other effects bundles worth...
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