Search results

Seems like quite a few there -all along similar lines I suppose. Can't speak of the quality.. Have or used a few of those clamp type holders not particularly fond of. What would you like different wise? Have a look through these guys perhaps? https://www.bhphotovideo.com/

I had an 'eye opening moment that led to tests in my early days. Basically- finding strings of flat tops (along with some bits of odd sounds if I recall)* while the chain indicated headroom. Upshot was SDCs I tried -Octavia, QTC-1 needed quite some distance to not clip regardless of what the...

Initially I had a few bits to contribute re the original question, now, not so much.

..One for the road :>)

:>) Made me curious.. you go even a few years before me.. https://homerecording.com/bbs/threads/humbuckers-highs-lost-from-the-volume-pot-should-i-hack-this-355-some-more.222802/

...I go for the 'wind coming from our mouths :>)

I'd offer very ..very often many times the addition of the foam wind screen on 'live mics makes an improvement. I'll see ya' your Monterey Pop and raise you.. Add.. grins :>)

After many mics over the years bit the bullet as they say and went with 3 Shure KMS-8 and a KSM-9hs (the hyper cardioid -also the least hyped top end of the condenser versions (..have no use for 'sizzle top end :>)

+1 on your post above. As well on the mix comp/limiter early on. First being there's no particular need or rush generally to getting the mix up 'hot. While I understand the mix into the comp' ins and outs, tried it for a while, I just found the trade-offs' not worth it. Hmm.. ok. Primarily, the...

I still use the comp (does some unique interesting things down in the 'zero attack -near-zero release ranges.. I have no idea if this is valid -for real/safe etc.. I'll not click on it :>) https://ultrafunk-sonitus-fx-pack.software.informer.com/

Wow. I wouldn't even try offering comment acoustically useful. I was wondering about the peak levels -vs steady state in play as well. But been 'round long enough to recognize a hell of a lot of work represented when it's there. Hoping here maybe this won't be one of these '90% to get 'close...

I think I need to offer going nearly an almost opposite direction here -rather straight clean and stripped down voc sample, at least initially to hear and sus out the issue(s). May I ask are you using hardware kit like this in tracking (vocals in particular)? It looks like what one would expect...

Interesting stuff! :>)

Hey BMG, just wanted to say, I'm up for following this up here ...if you'd like :>) I will add this .... While a 'simple hardware solution might seem attractive, likely that's not true, plus you can get there just as well in plugs.

More likely we can toss a certain amount of transient* w/o it being very noticeable. That and that plug has some impressive comments as to it doing what it does quite well. (I looked before jumping into this thread ..re; that 'preventing clipping of our A/D thing :>) Re that first line.. about...

How a plug works on the analog level before it even hits the A/D would be the question.

Interesting a Fender amp tank and the verb on Night Before' are sort of similar -simple straight decay, not much predelay, sort of upper mid 'splash. Just to go with what I got here.. First off how you are on the basic parameters? The basic stuff that defines how verbs act.. IMHO give you a leg...

Woah, to be clear, still meaning limiting record input levels -with a plug?

Interesting. We are talking CD here right? My copy (version) of After Bathing at Baxter's has one track that seems to start a bit down in pitch -but only the one. I presumed it was intentional :>)

Shame on me for not posting much like I used to (still active' but not as much. I've always enjoyed the 'helping part as much as the rest, (gathered a lot in the last fifty years or so, and sharing feels well.. goot right :>) But lately -or not so lately actually come to lament the loss...