:facepalm: Back when I had two buds w/ the Silvertones- bass, had the 2-12 cab, guit' had the 6-10 cab (go figure).. and the case w/ amp.
Hell should mention.. I had a Gibson Falcon, steel player.. he had the Hawk. :>)
I've been following along, here and that 'OtherPlace. :>)
This concern -apparently part in 'prep of a build out -has some stuff, waiting on some(?) not clear exactly?
Part next; For some 20 to 30 feet all of the track lines -mixer(s) > A/D's seeing some nasty stuff apparently.
Now, my retired...
I'll stick my ol' contrary but in here. I never warmed up to the 'normalizing in general. Primarily, 'cause it looks at my track, picks out the highest out of whack peak in the whole thing.. and uses it to do it's thing.
'Low tracks, use Clip Gain, or in Cake/Sonar they had a clip' process tool...
Presuming here?) Might the unit have outputs that could play ('route) a track to an output -monitor out, 'aux send?
Or song mix outs? That would go to the pedal, pedal feeds an input for a new track.
Likely there's some level issues to be worked through here. 'Line level outs -ran low enough to...
Don't know, just wondered if it comes with FX- delay maybe? They can range down that short?
Another thought would be 'export it out to a delay pedal and back. (shoot just an in/out trip might get close.
Ok, this isn't help, just fun.. Mackie used a lube' in his old Tapco's pots (give a little 'weight to their feel... Ended up thinning, leaking out after a time.
Curious to see what WWII finds :>)
Yeah.. First exposure and hearing the album in years, never realized had a.. 'rep.
Completely forgot about this one, think I have it in the drawer.. :>)
Thanks. You got me to have a listen to the album's other songs. Some of the stuff was apparently partly done or finished 'in a proper studio (name blank here :>) Re the vocals -generally, running typically- on the lowish side in the mix, some (a few?) sounding fairly direct, some with various...
Fine, make me look it up :rolleyes:
I'd guess something along the sounds along the lines of some rough room effects in there -some fairly strong 'phase tone effects via reflections going on? Go with the sound of some mono delays -60 to 70ms range as a start point for an example.
In addition to a very nice song I think the track, mix, tone balances, vocals and harmonies, all close to spot on.
Might it be taken that 'another 5%'? Perhaps. I would like to hear one with the vocal up just a bit (just a bit) to see?
Yes! Love the wide open tone options -all via not large bits of placement change.
Also.. puts an old problem of mine back up in my face.. Just stick the hell in one place.. and play well. :rolleyes:
For a while tried mounting mics on the guitar. That didn't work out very well. :>)
Looking back on the digi tape era.. is scary saying it too much? :>)
I'm recalling my Bay area ADAT guy/shop moving back to his.. 'Russia or somewhere. :oops: