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Without a matching transformer, a low z mic's signal would be lower than the noise from all that gain.

The 57 & 58 are electronically the same. The 58 has an internal foam shield inside the ball end to make it less susceptible to plosives.

You need a device like this with any low impedance mic if you intend to use it with your guitar amp.

Any signal obtained that way would be so anemic that it would be useless.

They look like this.

You need a matching transformer to convert the loZ output of the mic to hiZ @ the input.

Who says, "it's obvious?"

Popper stopper and mic placement. Often not having the mic aimed directly at the singer is the way to go.

But it would sound different, even if only a little. It's a different strokes thing. Not being interested in getting the loudest results, I tend not to compress my mixes.

One could manually reduce peaks instead of limiting. I've done it a number of times when seeking more level without introducing the character compression &/or limiting imparts.

Most studios I hung out at used paper leader because plastic types were more difficult to work with and could make static electricity pops/clicks going past the playhead during mastering.

I was taught how to edit tape by a man named John Horton who was the engineer who assembled "American Top 40" for Watermark Productions. They owned the show before Casey Kasem bought it.

It's definitely an edit but I contend there isn't anything wrong with it.

How could they go wrong with guys like these? Donald Fagen – lead vocals, synthesizer, backing vocals Bernard Purdie – drums Chuck Rainey – bass guitar Larry Carlton – guitar Walter Becker – guitar solo Victor Feldman – piano, vibraphone Tim Schmit – backing vocals

I have to go with this one.

Sorry, don't hear it. If you really want to hear bad edits, listen to the original stereo mixes of Sgt. Pepper.

It doesn't sound like a bad edit to me. It's more like they muted the echo return at the end of that phrase, either by choice or perhaps to work around some leak they couldn't get rid of any other way. A flawed edit would either jump or lag in time and/or exhibit some kind of noise at the cut...

See what happens if you encase an amp in 1 inch mesh chicken wire. If the sound persists, it isn't RF.

Does the sound change when the amp is turned from one orientation to another?

You will not improve the performance of that machine by adding a signal processor to the signal chain. 15ips gives you better frequency response, less hiss, more headroom, & and less wow & flutter. The "famous" analog head bump is not worth going after, IMHO. Those who wax poetically about...