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One handy trick is to tape a pencil to the grill of the mike like this: It diffuses the energy of toppy bursts like esses from the middle of the diaphragm, where the mike will be most sensitive to them. Hope that helps. Cheers :)

Hi Chris, Some time ago I read in a Sound on Sound article that you prefer using a Sony 3348 48-track open reel digital recorder to Pro Tools, citing this reason: Is this still your opinion and do you still work this way? The article in question was from 2007, which is why I ask. I guess...

Ok, this seems fun so I'll participate. I started this journey of perpetual insanity almost 13 years ago in a little town called Orem in the often overlooked state of Utah. I wasn't originally from there, however. I was an immigrant, born in the same place as recording greats Mutt Lange and...

Automating the input gain will indeed cause the level to change but it will be pre-fader and pre-inserts so any level-based processing you might have on the track, such as compression, will be affected. And by the way, the group tracks do have a volume automation lane and you can see them as...

This is the best way to achieve loudness, for sure. Cheers :)

As you guys most likely know but for the sake of those who don’t, in Mac OS X it is possible to create a multi-device called an “aggregate audio device” which enables you to use two (or more) different Core Audio devices across different bus types (firewire, USB, PCI, etc). It is also possible...

Here's a few recent pics of my place. Control room. Drums. Behind the kit facing the door. Through the glass. Cheers :)