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http://www.lomola.com/compare.htm you can PM me for the answers or participate in the original thread http://gearslutz.com/board/showthread.php3?s=&threadid=5684 quick summary for yall who didn't read the thread the pre and ad chain are from the crane song spider...and the mics were placed...

http://www.sicbeats.com/audios/SIC-fakeones.mp3

http://www.sicbeats.com/audios/SIC-fakeones.mp3

Did I over think and fukk it up even more??? http://www.sicbeats.com/audios/SIC-i_willsurvive.mp3

http://www.sicbeats.com/audios/SIC-iwillsurvive.mp3 i don't do this R&B stuff that often...and the singer is lets say different.... tell me how i did..:D

I bought raw canare cables and 1/4" connectors... not entirely sure how to connect them.. is there a diagram on the net some where?

Has anyone out there noticed a difference between using a $20 mic cable and using a $50 cable(gold this and that etc...)...even if the difference is minimal i'm just wondering cuz i bought something from a music store and they only do exchanges and was wondering if a $50 mic cable (planet wave...

http://www.cs.usyd.edu.au/~mcraig/projects/paris/ParisEQ11.zip the first man to mix in the box with a PC and have a hit record swears by paris its Brian Tankersley if you didn't know......so everyone should be interested...

https://homerecording.com/bbs/showthread.php?threadid=96508 let me know what you think....i'm thinking there's too much high end fighting each other? and i'm always paranoid about my bottom, either it being to loud and distorted or too thin and weak...let me know... peace

http://www.sicbeats.com/audios/SIC-sharpwitit.mp3 i hope ain't burn your speakers wit this hot joint...

I've heard good things on this board about the pre's....wondering if the same could be said about there eq>?

wondering how well it worked with DAWS.,....specifically Samplitude and Sonar...you can buy others to increase the channels as well right? could u also insert plug-ins and control the settings etc.?

does it really introduce a hum to your recordings are is that some faulty units or wires...i just ordered one from sweetwater, then i read the reviews..some guys said it were noisy...i just wanted some other peoples take on it..

http://www.sicbeats.com/audios/SIC-ugarbage.mp3 TIA

what i'll do usually is compress gently while tracking with rnc then compress again with ren vox eq to taste,..by this time the vox is cutting thru the mix well, volume adjust...usually seems too fwd, but lowering the seems to bury it, so then i add the timeworks reverbx and adjust it till i...

????:confused:

how the fuck do you not make it sound hollow and robotic to the vocalist when input monitoring...i'll get my L22 down to .7 ms and it still sounds hollow and robotic...but when i'm monitoring from my separate headphones it sounds ok...what gives???

http://www.sicbeats.com/audios/SIC-thugitup.mp3

I think i'm pretty close to nailing this one what yall think>? http://www.sicbeats.com/audios/SIC-thugitup.mp3

i just got my L22 wit LSADAT...upgraded from a delta 66 all i gotta say is wow!...remember u saying every AD/DA converter benefits from a word clock. So i was wondering when u hooked up your word clock to it was the difference like WHOA!!! like a delta 66 verse the lynxtwo...or was it more...