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I'm looking for something more complete. I was looking at this one: https://www.newegg.com/p/2SW-00AZ-00003 But if I have to use a 3d accelerator card, I was thinking about this one: https://www.newegg.com/p/1VK-01U9-00R58

A Midi DAW controller that has stop/play/rec/rew/fast fwd buttons. Of course you would have to find one that has midi i/o instead of USB or bluetooth. What I also recommend is getting a usb to midi interface for each computer in addition to this and use those midi for this and the exiting midi...

I've been looking into building a couple of small DAW workstations and I'm looking to try out a fan-less industrial computer since most of them look like they are using laptop CPUs and others are using Intel Xeon types. The interface I'm going to try on it is a MBOX Studio with Pro-tools...

The easy way would be is to get a midi splitter and split the midi out of a transport controller. The transport controller would only need one return from PC1's midi output. so the setup would be: Midi transport controller Midi Out -> midi splitter ->PC1 and PC2 midi in And PC1 midi out->...

One thing I wonder is the OP figured out the problem, or just wanted to post this question to see what others would do. I can count 4 to 5 ways of addressing it, but without any details much less a sound sample of what they are struggling with, others are just going to guess on what to do. Since...

That's cool. Another thing you should try is different speakers. Because I find changing speakers goes much further in getting a better sound than different microphones. So basically the sound and what makes a difference in equipment (in order) 1. Speaker 2. Mic placement 3. microphone choices...

They are nice to record with just like the 421. However in all instances, draping the mic over the cab is bad mic positioning for all of them. In a pinch it works for live, but for recording its better to put it on a short stand 2 inches away from the cab.

Only crackles from C2 I've dealt with were from the capsule not being screwed on all the way on the body and dirty switches that it goes away if I work the switches a few times. But I noticed sometimes on certain room resonate notes, I had to use the high pass filter before or it would crackle.

leads on some parts are flimsy. But the only ones that were really bad were the old point to point guitar amps that the leads would separate from the wax paper cap.

There has only been a few instances that I will glue a cap in a guitar amp and all those times they brought the amp in because some one changed it a while back and one of the leads broke off of the signal cap they replaced.

soldering has nothing to do with it. Its mainly for top heavy parts that break off at the leads. Sometimes when something is assembled in two places, they will glue parts in a sub assembly when shipping it so they don't rattle apart getting to the assembly plant. Like I said before there are...

Just being quite direct that you don't know as much as you think. Just like that idiot in ching chong land that is using black goop not knowing all black pigments are carbon based.

Its been over 20 years since the last real orange drop was made and there are better caps made now as if it really makes a difference in a guitar amp which it wouldn't anyways.

Never seen things float off on a wave solder machine. But the black goop that some have been using was never really intended to be used on circuits. I think you don't know what you are talking about because gluing is a use case scenario.

normally they glue caps so that they don't rattle and break loose from moving the amp around. So I glue them back with clear or white silicone calk.

If you want to because there is nothing special about it.

It doesn't surprise me because guitar manufacturers put in low end/main stream parts in all the time. But for coupling and bypass caps, when you change them there really isn't a better just a different distortion and insertion loss characteristics will be observed. There are other parts in...

What really gets me is that these are very cheap to build to begin with and theirs is probably a surface mount version so its even cheaper (in more ways than one). But they probably didn't screw up the design like Golden Age did which they originally constructed their grounds incorrectly on the PCB.

It is a neat design. But was built with cheap parts. I wondered who really made that circuit considering SP copies designs. The biggest offenders were the electrolytic capacitors and the glass diodes by the tube for the repair I did on one a while back.

Part 1-1: Input Circuits Introduction. The input circuits of the microphone preamp are split into four main circuits to preform the functionality of preparing the signal from the microphone through the various stages of amplification thereafter. These circuits are assembled inline as...