I would assume you can do it by running one of the interfaces as a master, and the others as 'slaves' via the optical connections. Seems you would be better off having all of the interfaces in control room and run snake to tracking room.
That is what I do with 2 Steinberg UR824's and a Behri...
A good song that a listener likes, is still a good song on a phone. It's not supposed to sound amazing.
It's not worth trying to make it sound better. Just write good songs... :)
Sounds like something they should have done a long time ago.
Not that I care. Never had preamp gain issues with my gear. But sure the heck heard about it from others for years...
Yes, option 1 would be most optimum. Listening position best approximately 1/3 the distance of the room. Likely monitors 2' of wall. That would hopefully make your first reflection point past the glass block window.
Howdy eua!
None of those things you mentioned wanting a preset for, are done well with presets. It is all subjective to what the track/song needs.
That being said, there are many Reaper tutorials that may give you some insight.
Unless you buy a vocal 'suite' VST that has all of those fx...
Welcome!
Music is all what you make of it personally. No right or wrong, though sometimes things do go wrong. This is a great place for advice when they do. :)
The Ampeg SVT Suite is awesome and worth the money from personal experience. I have not tried others so have no real opinion there.
As a bass player, and one that records others music as well, I was very impressed with how good the Ampeg SVT stuff sounded very close to the real physical ones...
Its not the same as the real thing, but it is kinda close.
I used it on the last record I produced on the direct signal. Granted, there were also two Ampeg setups that we mic'd individually. 5Pro we used a 57 on, and the 7Pro a D112. It was kind of an experimental thing. Cabs were 2 BXE 4/10...
Whatever works for you.
I have also found that taking a room to a smaller box only helps the ego of someone who doesn't want others to hear. It is usually not a good thing for the recording quality...
Open space is way better in my experience.
But cheers back to you! Enjoy the holiday...
I suppose it depends much more about the kit itself, the drummer, and then the typical room /mics and such.
But then there is also the style of music. Heavy rock drums take a bit more to get huge and up front, but there are tools to deal with that.
In my experience, the toughest thing to get...