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Here is a pic showing sixteen of the defibrillator's album covers.

My first serious DAW was Logic, which I used until it was no longer supported on PC. I then switched to Reaper. Although I became quite fluent in Logic, I was never that comfortable with it. Switching to Reaper was like coming home. It did things the way my brain expected them to be done. Logic...

I think there is a difference between dead and dry. Recording in a confined closet alongside materials that would suck the highs out creates dead.

The violin in this track was recorded using an Audio Technica 853, which is more usually used to capture choirs and the like. It was positioned about half a metre above the violin in a fairly dry room. Reverb was added after the event. (Violin starts about 20 seconds in)

I too sense essence of spam. Let's see how this goes.

you need readelay, not reafir, though reafir is way useful for other stuff.

You can download the Reaper set of plugins. Readelay includes a couple of slapback setttings.

No it's not. You started the thread, but it is now in the public arena of HR, and it will follow the meandering and hazardous path that other threads follow. Sometimes responses will be relevant. Other times they won't. You have no control over that. However I do understand that someone may...

I think the mix might be ok. However, I'm hearing a very peaky C booming, and it takes over the mix

I don't know what you hear in your head therefore I don't know how the recorde material differs from what your expectations are, and furthermore, I can't suggest anything constructive to deal with that expectation gap. And, to make matters worse, nor can anyone else, as, indeed, you have...

That's been the dominant way I've been operating for the last two years. I've been multitracking with material sent to me by others, and it has been working well. However, what helps is that we all use Reaper.

I can see no reason why PT won't load WAV files, nor why a PT user would refuse to accept them. However, it is possible that he may be using a version of PT that can't accept anything better than,say, 16 bit. Maybe it's a problem like that?

A few things to check 1 Make sure that in preferences, the audiophile is selected as a midi output device. 2 On the track control panel, check the routing and look for midi hardware output, click the down arrow to select the audiophile That is how you send the midi back to the keyboard. If...

As I said above somewhere, velcro for me. And not cable ties. They are single-use, and take too much time to put on and take off.

The neat thing about the Rode Wireless Go is that you can plug a different mike (e.g. a lavalier) into the transmitter if you need it to be unobtrusive.

Moved to show off forum

I've got a Rode wireless Go. It is great. Good mike, low noise, effective operation. It is good for situations where you need a mike close to the action but need it to be unobtrusive, e.g. in theatre where you need to capture a bit of audio from a particular location on stage.

I listen several times to bedroom at 18 secs and other places. I'm not hearing any glitches.

Reaper has a vocoder; ReaVocode. It is a bit fiddly to use, and I have to seem to re-learn it each time I use it.

I agree with others in that the mix has improved. My original concerns still remain: I think the song could finish at 2.37 on 'gone' without losing impact. The distorted lead is a bit random and could easily go.