Recent content by Stratoman79

Is Cubase, or any other program you know of, compatible with the old Ensoniq PARIS software?? It saves as a .PAF file and I want to know if it can be opened and edited and/or added to in another program such as cubase, or pro tools etc... If Interested.... The Deal is that my friend recorded...

Is Cubase, or any other program you know of, compatible with the old Ensoniq PARIS software?? It saves as a .PAF file and I want to know if it can be opened and edited and/or added to in another program such as cubase, or pro tools etc... If Interested.... The Deal is that my friend recorded...

My Cubase SE won't let me mixdown to .wav. It just says Error. That's all I know so far. From that vague description does anyone have any suggestions?

Okay, I've got my 1010LT hooked up, got a mic hooked directly to the xlr input and have got nothing. I'm new to computer recording, but not computers. Is there a setting on the patchbay or on cubase or something? The sound card is working since I can listen to audio on it, just can't get any...

Okay, I've got my 1010LT hooked up, got a mic hooked directly to the xlr input and have got nothing. I'm new to computer recording, but not computers. Is there a setting on the patchbay or on cubase or something? The sound card is working since I can listen to audio on it, just can't get any...

Okay, I've got my 1010LT hooked up, got a mic hooked directly to the xlr input and have got nothing. I'm new to computer recording, but not computers. Is there a setting on the patchbay or on cubase or something? The sound card is working since I can listen to audio on it, just can't get any...

I have no idea about compressing drums other than knowing people do it. Do you just compress cymbals? Do you wait until post-production to do it? How much should you use? What should it accomplish? Can you get good drum recordings if you don't compress drums? I sit at the masters' feet waiting...

I have the Delta 1010 which gives me 8 RCA inputs. I want to record drums using all of these inputs simultaneous. What is the best way to go from a MIC into an RCA plug with out having to submix. I want 8 seperate tracks. Not 8 submixed into one track. Help Me Please.

Where is best to have my jumpers set. Should I set them so I can have phantom power? I'm confused.

I love the sound of Pat Wilson's drums on Pinkerton. BESIDES the specific Kit & Tuning of the drums what are some factors that can help reach this desired sound/tone. I'm guessing a big room with perimeter condensor mic's as well as pretty flat EQ job. Come on guys, let's see your prognosis.