Recent content by JuliánFernández

Great project! Congratulations...:cool:

Thanks so much! I´ll search for a recording of full-range stereo pink noise and post it here for future reference... :)

My bad, sorry... I have a question though... - 85dBSPL at the mix position with a -20dB(FS)RMS signal is what we want, right? But, how I know if that´s possible my current setup? Or just any prosumer monitor can handle that? And another one... Is there any difference if I put my "home point"...

Thanks man! I know what you mean... thing is I would like to experience real faders under my finger tips, and instead of buying a daw controller I can have a decent console... I´m just worried about how to hook it up and if it´s worth the extra DA AD convertion... Anyone else doing something...

Hey Guys! I´m a happy owner of a FP10, I never track more than 8 tracks at a time, and just bought my first pair of monitors... :) I was offered a nice deal on a used Mackie 1604 board... I would like to experience having an actual board and mixing with faders... I wonder what´s the best to...

Thanks again, John! Btw, the monitors have a volume knob at the back... I putted it around 75%... Am I supposed to turn it all the way up? :confused:

Update: I was experimenting with eq´ing the 2buss (mostly a HPF around 60hz and a cut somewhere between 200-500hz) and almost every mix sounded better that way... I tried to aplly that same eq to each track (same exact eq), then disable the eq from the 2buss, but it doesn´t sounded the same...

Thank you guys... Great and quick answers! :) BTW, John (or anyone else), do you know where can I get a recording of full-range stereo pink noise at -20dBFS? (I´m using Cubase LE and I don´t think I can make it with it)

Hi guys... Just bought my first monitors: a pair of Tascam VLA5s... I´m super happy about it. I have a couple of questions to you guys... I´m using them along with my FP10 (which has a output level knob), and I don´t know how much should I push the monitors with the Pod (and where to position...

I want a HI-MD with mic in (I don´t care if it´s used as long as it works)... Anyone has something to offer? :) Thanks...

I didnt´said that I cut the exact same frequency on every track... 200 to 500Hz is a huge gap... I said that most of the time on drums (no particulary OH), electric and acoustic guitars and voices, that range seems to be (to me) pretty tricky. BTW, I´ve also found that on tracks recorded in...

Recently I realized that most of the time I found myself cutting somewhere in the 200/500hz range in almost every source I track. If I sweep the eq in that area I can´t find anything sound-wise worthy; only boxiness and hollowness... Am I missing something or is just an unpleaseant range to...

Great! Glad you work it out... post samples! :cool:

PM sent. ...

I thought so (same mic, less options)... I don´t need variable patterns for now... I just want a nice LDC that can handle toms and voice... Do you have any clips of the M177 in action? :)