I find the difference between a 57 thru a Behringer and a 57 thru a Great River IS quite significant..... so much so that the 57 thru the GR sounds like an entirely different mic altogether! :cool:
Oh yeah? Put a 57 thru a Behringer (or Mackie, or M-Audio, or Presonus) on a guitar cab alongside a 57 thru a Great River or Phoenix on that same cab and see if you still think that, Ed.... :cool:
However, I will agree with you that only having poor/mediocre pres shouldn't stop a skilled...
if you're getting thin, washy cymbals sounds that's definitely NOT the mic - the 4041 is quite an eminently usable small-dia condenser. Weak, thin, washy cymbals come from phase issues due to mic placement.
Not really, it's usually quite clear what is a high-end pre.... where it's less clear is with the gear that is "sorta" high-end - not quite in the same league/price point as the big boys, but not midrange/mediocre either...
The VXP (which I have) has the same input stage (pre) as the MP20.... I hadn't used the VXP in quite some time (before which I'd always found it adequate but not "great").... but anyways, after not using for a number of months, I decided to use it on a voice-over session (I'd normally have used...
That's where the "air" in a mix is....... and you want to be careful with any boosts or cuts in this area - adjustments in that freq band are usually only fractions of a dB (quarter, half, three-quarters)... :cool:
What... the "Free Ads for Music / Recording Equipment" forum was busy or something???
Post it where it belongs.... https://homerecording.com/bbs/forumdisplay.php?f=6
I assure that the Great River probably sounds different than the BG-1, but not better - at the high-end, pres are chosen for their subtle coloration characteristics.
The Presonus stuff isn't in the same league as either of them, so it's apples and oranges...