I'd like to apologize. If I had known better and not posted an articulation for a question then there would've been no confusion. Sorry everybody. Thank you for posting.
Just know that you can mix lyrics with a track before you get so good at it. You'll learn how vocals work and probably learn about mics and speakers too in the process. That's a must for any good pro. Being on point, you'll appreciate the accumulation of your effort, be it direct, systematic...
You have clear statements. Thank you.
I'd think that with the development of speaker crossovers frequencies, the rule of "No stereo 200 hz and below" gained consistency. There could be a direct positive correlation there, and no clear cause.
My original post was ambiguous, and needed specifics.
What I've realized before was that the stereo and mono can be "states" of recording, and that you can't just set them on and off.
Do let me know what you think and be fair because I'm getting used to trapstep. :listeningmusic:
https://soundcloud.com/aaron-acosta-15/manilla-in-the-trap-1
I had an idea to set up some tracks as mono and others as stereo.
And because I learned that anything below 200hz shouldn't be stereo wide, I was thinking of making the bass of a song mono, the mid into stereo, and the high into stereo.
And I thought I could up the scheme with different sets...
Okay..
Just trying to figure this out ahead of mastering my new song.
And I didn't know you weren't supposed to master stems at different times. It just seemed like something I would want to do.
On my side I've only been interested in obtaining online education. Of course nothing beats simple and straightforward and personal education. But, wanting to lay low key, I practice with some home gear while studying other topics such as Leadership, Communication, and Network+ (CompTIA Network...