I'm using both
the Tascam TMD8000 and
the Yamaha 02R. The first is my favourite since it was specially made for use with the Tascam DA-recorders. This deck also sounds good. But......lately Tascam is kind of screwing their costumors when it comes to service. They only made two software-automation versions before discontinueing this desk. And when Tascam discontinues something they really mean discontinue. The same happened with the TMD1000 and
the TMD4000. I'm sure the're going to do the same with
the DM24. So if you have no emotianl bandings with Tascam I'd think twice about them.
The 02R gives a nice bang for the buck and I'm happy using it live. I wouldn't wanna replace it with my Tascam in the studio though.
Remeber its nice to have much faders. Swapping between fader banks doesn't seem like a problem at first, but you'll get sick of it real quick. That's one of the reasons I won't abandom my Tascam, it has 48 faders. No swapping !
I'm not sure wether the whole 96K thingie is very important. Don't flame me for saying this, but if you're using mics like the ecm8000 having 96K will only make the noise more audible. These mics can't even cope with the 16/44.1 s/n ratio. All digital decks are ok for the buck. What I'm saying is that 16bit / 44.1 K will do just fine for allmost everybody on this forum. I'm running a commercial studio on these figures.
Saying this, if you have the choise between 16/44.1 and 24/96 I would offcourse choose 24/96. But don't think a cheap 24/96 mixer will sound better than an expensive 16/44.1 It's not always in the figures.