TheRecProducer
New member
Here are my questions?
1. How much money have you spent on gear?
2. How much money have you spent on studio time?
3. Do you ever hire professionals (musicians, mix engineers, mastering engineers, etc.)?
4. What are some financial barriers that you have encountered as you have been pursuing your music career?
I am currently writing a new book. It is a follow up to my first book, “Big Time Techniques for the Small Time Record Producer”. Initially, I did not intend to write a second book. I wrote Big Time Techniques because it addressed serious issues and misconceptions that were, and still are, plaguing the independent music community. I support the composer, musician and engineer, not the executive. I personally despise the corporatization of music, and I am disgusted by some of the corporate recording industry’s practices. I released Big Time Techniques hoping that it would inspire a more informed independent community that would then be equipped to give the majors some competition. After reading the hundreds of responses from readers of Big Time Techniques, I see that there is serious need to address the issues of capital, finances, and budgeting in the recording process.
I am co-authoring the new book with a personal friend. He is incredibly successful and brilliant when it comes to business and personal finance. Together, we are developing methods for obtaining capital, managing a recording budget, and our specialty, maximizing returns. It may take a few months, but I’ll let you all know when it gets released.
1. How much money have you spent on gear?
2. How much money have you spent on studio time?
3. Do you ever hire professionals (musicians, mix engineers, mastering engineers, etc.)?
4. What are some financial barriers that you have encountered as you have been pursuing your music career?
I am currently writing a new book. It is a follow up to my first book, “Big Time Techniques for the Small Time Record Producer”. Initially, I did not intend to write a second book. I wrote Big Time Techniques because it addressed serious issues and misconceptions that were, and still are, plaguing the independent music community. I support the composer, musician and engineer, not the executive. I personally despise the corporatization of music, and I am disgusted by some of the corporate recording industry’s practices. I released Big Time Techniques hoping that it would inspire a more informed independent community that would then be equipped to give the majors some competition. After reading the hundreds of responses from readers of Big Time Techniques, I see that there is serious need to address the issues of capital, finances, and budgeting in the recording process.
I am co-authoring the new book with a personal friend. He is incredibly successful and brilliant when it comes to business and personal finance. Together, we are developing methods for obtaining capital, managing a recording budget, and our specialty, maximizing returns. It may take a few months, but I’ll let you all know when it gets released.