Recording Engineer
Moderator
This is a clip of an single acoustic guitar and single male vocal recording:
http://home.attbi.com/~pjandcompany/index.html
The acoustic guitar (a Taylor) was stereo miked. A Milab VIP-50 in Omni was set about 1.5 ft. from the sound-hole (slightly off-access) and a Studio Project C3 in Omni was set about 3 ft. back pointed at the middle of the neck. They were ran through a DaviSound TB-3 (which has "Mic-All" preamps) with neither compression or the tube engaged.
The vocal was cut on a Neumann TLM103 through the same DaviSound TB-3 with neither compression or the tube engaged, and through a Urei LA-3A.
Tracked in a room, very roughly, about 16ft.X11ft.X8ft with one pair of parallel, fully covered and very absorbent walls and a hardwood floor.
The recorder was an Alesis HD24 and mixed through a 32-ch. Mackie VLZ-PRO with only a bit of equalization. The reverb is a Lexicon LXP-1 setting with the 12k shelf cut -15db on the return of the Mackie.
Mixed to WaveLab through a LynxOne soundcard @ 24-bit, 48k. The file was processed with Waves L2 Limiting, resampled to 44.1k with WaveLab, and Dithered with Waves L2.
http://home.attbi.com/~pjandcompany/index.html
The acoustic guitar (a Taylor) was stereo miked. A Milab VIP-50 in Omni was set about 1.5 ft. from the sound-hole (slightly off-access) and a Studio Project C3 in Omni was set about 3 ft. back pointed at the middle of the neck. They were ran through a DaviSound TB-3 (which has "Mic-All" preamps) with neither compression or the tube engaged.
The vocal was cut on a Neumann TLM103 through the same DaviSound TB-3 with neither compression or the tube engaged, and through a Urei LA-3A.
Tracked in a room, very roughly, about 16ft.X11ft.X8ft with one pair of parallel, fully covered and very absorbent walls and a hardwood floor.
The recorder was an Alesis HD24 and mixed through a 32-ch. Mackie VLZ-PRO with only a bit of equalization. The reverb is a Lexicon LXP-1 setting with the 12k shelf cut -15db on the return of the Mackie.
Mixed to WaveLab through a LynxOne soundcard @ 24-bit, 48k. The file was processed with Waves L2 Limiting, resampled to 44.1k with WaveLab, and Dithered with Waves L2.