There's a huge distance between the kick and the vocal that's weird. The kick's all dry and right in your face and the vocal's way further back. It's like I'm sitting right in front of the kick and the singer's twenty feet over there somewhere. It's not just a disjunct between the kick and the vocal, it's also a disconnect between the kick and the snare. It's like they're not part of the same kit.
Hey broken_H...
Great lyric to this tune. Did you write it?. It's a great song, with a good chord progression and melody. The only nit I can pick is that it has kind of a rigid feel to it. I can't put my finger on why though. I will listen a few more times.
There's a guitar on the left? I can hear the pick sound at times, but that's about it. How did you mic the guitars? Might look at changing that up. THe kick is very 'in your face' as already mentioned.
It sounds pretty cool dawg. I think most the other commenters already said what I was going to say
The vocal is getting buried by mostly lo-mids If you scooped out freqs in the area of 300hz on the guitar and bass tracks the vocals will be much clearer. While scooping 300hz on the bass track you could also boost at around 700-900 and then re-mix on the faders to further isolate the bass.