DJL said:If the music stores, recording studios, sound reinforcement companies, and etc don't start buying SP B1's soon the B1's most likely won't be around in 25 years.
You're an ass.DJL said:BULLSHIT... call your local music stores, recording studios, sound reinforcement companies, and etc and ask them how many SP B1's they have... then ask them how many Shure SM57's they have.
DJL said:PS...
Now, if you would have stated something like "the B1s could become another "all-around" workhorse in the small home recording studio" I wouldn't have said anything.
If it was you making such a false claim I'd be all over your ass because you know better.cominginsecond said:But since he was slightly stronger in his enthusiasm for the mic, you jump all over him. You're an inspiration to us all.
Drummer4Life05 said:I think the 57 will stay the most common mic for instruments and such, but the B1 will become the most popular for vocals.
Dot said:Here's my rating on studio applications, based on a scale of 1-10:
SM57
amps - 9
toms - 4
kick -2
snare - 9
OH - 3
acoustic - 3
percussion - 2
vocals - anywhere from 1-10
SP B1
amps - 9
toms - 10
kick - not tested
snare - 9
OH - 9
acoustic - 9
percussion - 8
vocals - anywhere from 5-8
Dot said:Actually, where the B1 doesn't necessarily excel is on vocals. It can work fine in some cases, but that's not what's so great about the B1/B3.
The B mics excel as instrument mics, and in most cases are much better than 57's for project studio applications.
I think the Studio Projects B1 is now the most essential mic for home studios - even surpassing the SM57.
Here's my rating on studio applications, based on a scale of 1-10:
SM57
amps - 9
toms - 4
kick -2
snare - 9
OH - 3
acoustic - 3
percussion - 2
vocals - anywhere from 1-10
SP B1
amps - 9
toms - 10
kick - not tested
snare - 9
OH - 9
acoustic - 9
percussion - 8
vocals - anywhere from 5-8
Dan Richards
Digital Pro Sound
The Listening Sessions
tdukex said:...you are pretty much saying there are few mics in the world that are its equal for any application at any price.
Dot said:
Humm, I think it's more like...Dot said:Actually, where the B1 doesn't necessarily excel is on vocals. It can work fine in some cases, but that's not what's so great about the B1/B3.
The B mics excel as instrument mics, and in most cases are much better than 57's for project studio applications.
I think the Studio Projects B1 is now the most essential mic for home studios - even surpassing the SM57.
Here's my rating on studio applications, based on a scale of 1-10:
SM57
amps - 9
toms - 4
kick -2
snare - 9
OH - 3
acoustic - 3
percussion - 2
vocals - anywhere from 1-10
SP B1
amps - 9
toms - 10
kick - not tested
snare - 9
OH - 9
acoustic - 9
percussion - 8
vocals - anywhere from 5-8
Dan Richards
Digital Pro Sound
The Listening Sessions
ozraves said:For people with lower cost preamps, I suggest the B1 as condensers can get by to a better extent on less quality preamps.
The B1 can be versatile. It shines on instrument mic'ing.
The Shure SM57 deserves its reputation as a workhorse mic but in the context of being put through some nice preamps.