Lee, you save me, not being a Protools guy I knew I had seen that plugin before but for the life of me could not think of the name, did not look like a UA of which I use all the time.
oh hey it's cool brotha. There are things that are just so Pro Tools specific that it's understandable. I myself wish I could say I could pinpoint any plug-in anywhere, but it seems to prove impossible. I'm ok with that.
Not a bad plug-in, bombfactory does ok to put out some reliable stuff, but I think the UA 1176 version does better in my opinion.
To add a different perspective on what Red was saying about the movement being hard to get a consistent sound. I want to say that it is very possible to do so, which if you look into some of the mics, preamps and specifically a emaculate quiet room out there, these things do very well.
For example, the first time I ever hooked up a C414 (through an SSL 9000Js preamp) as an overhead on a drum kit, I was shocked to see exactly how much of the floor tom (the area it was positioned) came through in stunning clarity. In fact, the tom stood out so clear, present and defined that we ended up going without the tom mic. And the mic was about 3 feet above the kit in a very live room.
But despite all that, I want to say this video was done to a prerecorded track. However, it's not impossible to assume that you can get that kind of sound from a straight live session either. Hard to say what this one is.