Blackburn...I can assure you that it's the 'g' in glad that you're hearing. I have all of the tracks here...vox solo'd and I hear it. To you it may sound like a bad click, but to most everyone that hears it that doesn't know anything about engineering, it will be just a little more sibilance that makes them know that it is indeed a 'g' that's being pronounced. I could take it out...but it doesn't bother me a bit, honestly. To me it makes the vocals a bit more understandable.
Kramer...I always use different compression settings on the vocals. It just depends on the singer and the song. I usually compress the vox twice, though. Once with the Waves RCL, and another time with one of the internal compressors (I have one on every channel!) in
my VS-2480. I usually get the attack setting by listening to the sibilance of the vocal track, and get the ratio/threshold by listening to the dynamic range of the track. I usually end up compressing the piss out of vocal tracks until they're squashed like little grapes and have absolutely no trace of dynamic range left. (Well, almost.)
Middleman...the guitar solo is doubled, and personally, if it were my song, I would have taked the guitar solo out...or at least chopped off the first half of it. Good idea about a harmony, though!
Thanks to everybody for listening!
Darth