Search results

I was wondering: Is there anything to consider in this signal-path? microphone ----> mic-preamp (mono) ----> mixing desk track (mono) ----> mixing desk sub-outs (stereo, panned hard left/right respectively) ----> PC-card stereo ins ----> Cubase recording in MONO I have always tracked this way...

In my home studio I have managed to get the sound I want and - sort of - expected on a CD. They were always singles for an artist here, another one there. Right now I am working on a whole CD for an artist which merits a more professional approach, so for the first time I am thinking of letting...

I know it isn't mastering (that's why I put it in !quotes") - it is more of twiddling at my wave-file until I am bored.;) To those with the golden ears (to help me with my tin ears): Where would you put a tape simulator? At the very last stage? These are my "mastering"-wannabe-tools...

Yeah, I know... I have read it enough, and I actually believe it: "Leave TRUE mastering to the experts, etc. etc.". I also understand, that there must be a difference bewteen all that high-end mastering processors/gear that's used by the golden-ear-boys... BUT I still have my doubts about...

Djeesas!!! Hanging around the Forum I have seldom noticed anything said about the Event PS8 (or PS5, PS6 for that matter)... Are they shunned? I got them recently without testing them, just by net/catalog-reviews because I am living in west africa for the next couple of years. Any other users...

I am satisfied with the quality of the effects. But I've still a doubt whether it would be an "aha"-effect suddenly listening to my productions with higher-end reverbs (Waves, TC, etc.). I once read from a well-versed engineer "most engineers, even top name ones can't tell the quality...