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  1. J

    Klipsch THX monitors any good?

    (Sorry for cross-posting this one with the same post in the Newbies section...) I am currently using a computer as my mixing station. It has a Creative Labs SoundBlaster Audigy Platinum soundcard for output and my monitors are essentially my computer speakers. As far as I know, they are pretty...
  2. J

    Klipsch THX monitors any good?

    I am currently using a computer as my mixing station. It has a Creative Labs SoundBlaster Audigy Platinum soundcard for output and my monitors are essentially my computer speakers. As far as I know, they are pretty good. It's a 5 piece Klipsch THX setup with 4 speakers and a beefy dual-subwoofer...
  3. J

    sweet sound at a low volume

    I have a semi-unusual spin on, what I'm sure is an often asked question. Here are the details: Current Gear: - Schecter Diamond Series C-1+ strat with dual Duncan-Designed humbuckers - Boss Turbo Overdrive OD-2R pedal - Fender Blues Junior amp - Shure AXS4 condenser mic Current Sound: - good...
  4. J

    wiring conundrum

    I have a vocal microphone which requires 48v phantom power to operate. I am using an Aardvark Direct Pro 24/95 to supply the phantom power as well as take the signal in to my computer. I want to purchase an FMR Real Nice Compressor (RNC) which only has 1/4", unbalanced inputs and outputs - of...
  5. J

    tin-can effect

    I am trying to record an electric guitar (amp) using the miking technique found here: http://www.alexandermagazine.com/re...eq/rw/tip7.html My setup is one Shure AXS4 placed near the center cone and a Studio Projects C1 about 12" behind it and a couple inches out from the center. I am running...
  6. J

    electric guitar sounds like its in a tin can

    I am trying to record an electric guitar (amp) using the miking technique found here: http://www.alexandermagazine.com/recordingeq/rw/tip7.html My setup is one Shure AXS4 placed near the center cone and a Studio Projects C1 about 12" behind it and a couple inches out from the center. I am...
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