Your Business(UNDERSTAND)

bknot1

Hustle Magic!! We Got It.
First, you need to understand some of the common terms that are used in the music industry and some of the customs that govern the industry today. Listed below, these industry customs are "standard industry practice," meaning: They cannot be changed no matter how successful you are or no matter how powerful your lawyer is.

SRLP: "Suggested Retail List Price" which is the top line price a CD is sold for in stores. Currently, the SRLP is $18.98.

Producer Royalty: All producer royalties are deducted from the artist royalties, meaning the artist pays the producers, not the record company. A producer usually gets a 3% producer royalty (or "3 points") (pro-rated with all the other songs on an album) which is deducted from the artist's royalty.

Packaging Deduction: Major record companies always deduct 25% from the artist's royalty for "packaging" each CD.

CD reduction: Major labels consider CDs to be "new technology," so they very rarely pay an artist on 100% of all CDs sold (for a new artist, they usually only pay 80% to 90% of all CDs sold). So, if a record company is only paying artists on 80% of CD sales then the artist is basically only getting paid for 80 out of every 100 CDs that the record company sells.

Artist Royalty: A new artist will probably be offered a royalty of 15% (or "15 points"). So, if an artist gets 15% and the producer gets 3%, then the artist is really only getting 12% (because the producer's royalty is deducted from the artist royalty).

Unrecouped: Artists hate this word. It means that you have not paid back all the money that the record company has laid out for you. HOWEVER, the way it works is WHACKED. Typically, if an artist is paid a 15% royalty then the record company pays itself back $0.15 for every $1.00 that they bring in. Thus, it keeps the remaining $.85 per every $1.00 as an immediate profit. GET IT?? The record company only credits the artist's royalty account with $0.15 per $1.00 until the artist pays back the $500,000 the record company spent at the $0.15.

So, hypothetically, if a record company spends $500,000 on an artist’s record and they allocate the artist a royalty of 12% (which is the 15% less the 3% producer royalty) then the record company has to make approximately $4,000,000 before the artist is even in a recouped position!

Penny Rate: The actual dollar amount that is paid to the artist for every CD sold (when they refer to it as a "penny rate" they ain't kidding!).

Determining Your Record Royalty Penny Rate

Now that you understand the terms and concepts above, below is how the major labels calculate the artist's royalty rate per CD sold which, in turn, becomes the "penny rate" that is paid to the artist.

Single CD Record Company Royalty Formula

$18.98 (the "SRLP" ) x 12% (the total artist royalty of 15% less the producer royalty of 3%) x 75% (the packaging deduction remainder ....remember 25% off for every CD sold) x 80% (the CD reduction) = $1.37 per CD!


do the math. Hypothetically, if you were only making $1.37 per album less their recording costs (which includes their advances and probably 50% of all marketing, promotion, and video costs totalling, let's say, 1 million dollars), then note that you have to sell 729,927 albums before they even end up inrecouped position (i.e., $1,000,000 in recording costs divided by their net artist royalty rate of $1.37 equals 729,927 albums). Also, note that, although you would technically not make any money from your record sells of 729,927 units, the sale of your album will have generated approximately 13 million dollars in record sales! for the record company.
 
WHoo Hell of a post BK i have read that same information in many different publications but it has never been to easily understood. Thanks !!!
 
This is why I decided to go the indie route and take care of my own artists. Might not push as many units, but can come out a little better in the long run and still be in the game.
 
yeah what i plan to do is show teh artists that i plan to work with - THIS standard agreement and let it sink in . . . and then show them "my version" . . . so they will appreciate the differences . . . .
 
Fieva said:
This is why I decided to go the indie route and take care of my own artists. Might not push as many units, but can come out a little better in the long run and still be in the game.

A little better Fie???? SHit it don't make no dam sense pennies per album That ain't right .... not when even we can get cd's pressed for dollars cd it's just highway robbery ....
 
and everyone was wondering how artist could go bankrupt from selling millions...
 
I have showed folks something similar to this before and they still dont get it. Some folks just have to get burned before they learn. This though is a to big of a reality pill to swallow for most cats.

Just put out your own stuff make some money and be happy that you did it on you own.
 
BK.. Your consistent contributions to this forum in my opinion warrants moderator status... thanks for always sharing!!!!!
 
Everyone Say It With Me!!!

INDEPENDANT!INDEPENDANT!INDEPENDANT!INDEPENDANT!
MAKE THAT MONEY!MAKE THAT MONEY!MAKE THAT MONEY!MAKE THAT MONEY!

all is now right with the music world
 
indeed i feel u on the indie tip - but at the same time, you can not ALWAYS have the "artist" working as the "marketer" and the "manager" and the . . .

there has to be some division . . . now still in the vein of the indie route - what em cees need to do is assess a team of like minded folk n give each person a role to play - but i just see the music suffering if the artist is in a situation where he has to wear all the hats . . . .
 
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