I have a limited amount of inputs (8), and I have to conserve as much as possible. First off, a few reasons why I chose the mics and placements:
1 Kick mic (beta 52a)
1 Snare mic (sm57-beta57 *still torn*)
4 tom mics (e604's on rack toms, e609 for floor toms *doubled up*)
2 overheads (sm81's either in ORTF or X/Y)
I think I'm going to trigger a beater stab that I will record separately to get more "click" from the kick (not enough inputs to record on-the-fly, and it's not necessary if I can't get it)
I think depending on how I can get the overheads going, I will mic UNDER the snare for more snap from the wires (I have a 42strand snare)
My toms never get through the mix without destroying my other sounds, so I'm going to mic individually (except the floor toms) to control the sound better, as I'm very particular about my toms in the mix.
My question is this:
I'm using X/Y right now above my head, and it doesn't have a sharp enough spread IMO and the image isn't that great. I'm not sure how ORTF will sound (as it's too late to test now) and wanted to get something that will:
- give a sharp stereo spread free from phase cancellation
- the hats won't be TOO hard panned
- capture the top of the snare enough to where the under mic'd snare mic will balance it out
- get a decent amount of stick sound from the toms so the tom mics can capture the resonant characteristics of the toms w/o too much bleed from boosting higher frequencies.
Any suggestions? Thanks guys,
-Joel
1 Kick mic (beta 52a)
1 Snare mic (sm57-beta57 *still torn*)
4 tom mics (e604's on rack toms, e609 for floor toms *doubled up*)
2 overheads (sm81's either in ORTF or X/Y)
I think I'm going to trigger a beater stab that I will record separately to get more "click" from the kick (not enough inputs to record on-the-fly, and it's not necessary if I can't get it)
I think depending on how I can get the overheads going, I will mic UNDER the snare for more snap from the wires (I have a 42strand snare)
My toms never get through the mix without destroying my other sounds, so I'm going to mic individually (except the floor toms) to control the sound better, as I'm very particular about my toms in the mix.
My question is this:
I'm using X/Y right now above my head, and it doesn't have a sharp enough spread IMO and the image isn't that great. I'm not sure how ORTF will sound (as it's too late to test now) and wanted to get something that will:
- give a sharp stereo spread free from phase cancellation
- the hats won't be TOO hard panned
- capture the top of the snare enough to where the under mic'd snare mic will balance it out
- get a decent amount of stick sound from the toms so the tom mics can capture the resonant characteristics of the toms w/o too much bleed from boosting higher frequencies.
Any suggestions? Thanks guys,
-Joel