Bigin with you existing wall system - compute the mass in one leaf of the wall - match that in glass mass - then add 1/4" to that thickness and make that the other leaf.........
Whew!!! Thanks for saving my butt Rod
I probably would have stuck my foot in my mouth...which wouldn't have been the first time. But I stuck my neck out on this one and I just knew he'd ask HOW!
I'll try to help though. Let the quiotine fall if I have this wrong.
moelar2,excuse me if I was a little overbearing on this. I just hate seeing people do a bunch of work and blow their wad on stuff that ultimately will let them down.
Ok, here's the deal. WithOUT knowing what your whole plan is, and what your existing construction is like, etc etc, its impossible for anyone to give precise advice. Thats due to many possible factors that could undermine even the best of intentions. For instance, there could be many flanking paths in your existing structure, like a wood structural floor instead of concrete slab, doors that also don't match the existing wall transmission loss(hollow core), HVAC ducting, pipes, fireplaces, or any number of things. Also, we don't know anything about your intended use or type of music you plan on recording, or
...well, I think you get the idea. But to give you an idea of some standard rated DOUBLE wall systems, here is a illustration showing some basic wall assemblies. NOTE that those which have drywall WITHIN the airgap, add another leaf, which in effect LOWERS the rating compared to those that are only TWO LEAF systems. A two leaf assembly is considerd a MASS-AIR-MASS system. A STANDARD RESIDENTIAL WALL, with drywall on each face of a stud wall framing, is a MASS-AIR-MASS /two leaf assembly. The BEST bang for the buck systems have ONE of the leafs DECOUPLED. In the illustration, this is done by building TWO framing systems, or two walls, with the outer face of each framing, sheithed with drywall. You would think that the ones with drywall WITHIN the airgap(three and four leaf system) would perform better, right? WRONG. Thats why this stuff is NOT INTUITIVE. There are scientific principles at work here, and intuition won't tell you WHY they work.
Also, one of the other factors is your ceiling and floor. It must also match the walls as well - IF it is a WOOD FRAMED STRUCTURAL floor. Concrete slabs perform much better, but even then, IF your plan is to isolate HIGH SPL instruments such as drums, even concrete floors may need isolation joints at the wall boundary perimeters....or EVEN A FLOATING ROOM...
it all depends on YOUR isolation requirements and existing environment. Thats why I asked what you are trying to do
Anyway, hope this helps you understand that simply throwing in a window or two of ANY type, depending on your needs, might as well be a SCREEN DOOR under severe SPL conditions, especially LOW FREQUENCIES...which is a WHOLE SUBJECT UNTO ITSELF...
in that regard, I can only link you to the stuff I've read, but ask ROD.....he is a PRO STUDIO CONSTRUCTION EXPERT.
Here is the illustration to give you an idea of how this stuff works.
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