Very true that the player makes a big difference to the sax but I understand where the OP is coming from. The differences between a dynamic and condenser is very dramatic on a sax. I wasn't kidding when I used the example of "late night soft jazz" vs. a crisp, bright quality that cuts through the mix.
If the crisp, bright thing is what's wanted, then I repeat my suggestion of an sE 1A . I don't know prices or availability in Venezuela but it would fit the budget both here and in the UK--and I've used it successfully many times when I need a bright sax sound, both recording and live.
As an aside (and dragging this OT) I think I'm more prone to use SDC mics in areas that many people use and LDC--I find them incredibly useful for a lot of things and often easier to position (which is important since position is sometimes as or more important than mic choice).