PeterPan17
New member
Me being a 17 year old kid who records, edits, mixes would definately use this for final mastering.
I don't want to put you on the spot personally, Peter, but just your own opinion as a typical 17 year old kid who records, edits and mixes; what would you pay to have your CD mastered? And - based upon your personal experience only - do you feel your answer is typical of those in your situation?Me being a 17 year old kid who records, edits, mixes would definately use this for final mastering.
i wouldn't say this is a dumb idea but if i was reputable sound engineer i wouldn't even think about attaching my name or reputation to something like this.not crappy recorded tracks anyway which you know would happen.if you want a professional recording you need to go to a professional.if you can do a great job on the individual tracking yourself great but then get off your butt and go to studio and be present during the mixing and learn some things.going to a studio will only benefit you with the knowledge and experience that can only be had in a studio.if money is an object i'm sure there's a lot of folks who would take these kind of projects on to make some cash.
I think what most of us how have some reservations about it have is the business end of it and how the bidding system will or will not work to the various player's (dis)advantge.I think it is a good idea actually. I don't know how it will turn out in a business sense, or if happy customers will end up with great mixes, but it's an interesting and good idea. Putting mixers directly in touch with people who need their songs mixed. I don't see how that is a bad thing.
I wanted to reply to this one at least.
As I said earlier, I had mis-typed into making it sound like I was talking about mixes here. When in fact I was talking about the mastering portion of the site. So you can put a client's final product to the best of his ability. Then, the bidder could put his final master up for comparison. Obviously there would be more rules than this, but yes I am not putting up everything on here right now - just throwing out ideas that were in my head.... like everyone is saying there's a lot of details to be worked out.
I think that this place could be a place for professional work to be done. Even if it's just a meeting ground to find professionals in your state to work on projects with you on person - it still would be a good thing. I will be thinking of all this, and hopefully can come up with something that can work.
..... I mean a detailed survey/questionnaire that can be properly analyzed and processed without bias.....
G.
The problem with surveys and questionaires is that most people who fill them out fill in what they would LIKE to have. It does'nt mean they will actually use it or pay for it.
True, which is why when one asks questions like I asked Peter Pan - i.e. "How much would you pay to have your CD mastered" - you are limited somewhat by how truthful their responses will be. But if you have a large enough statistical base, the answer winds up having at least some degree of accuracy for three reasons:The problem with surveys and questionaires is that most people who fill them out fill in what they would LIKE to have. It does'nt mean they will actually use it or pay for it.
I think at the very least the argument against this, and NOT limited to this would be, studios have gone through a reinvention in the last 15-20 years. They went from large commercial facilities to kids in their basement making pretty darn good recordings. The trend has, and is, moving away from the commercial recording studio. I think if an artist is going to go through the trouble and investment to track his/her band at their home or wherever, they will follow through the project into the mixing stage. Why would someone that does not apparently have the ability to mix their own music be prolific at tracking their recordings? I feel most people that can engineer their material WILL want to, and WILL be able to mix it. Oh sure, you will find a few stragglers that may go for something like this, but I believe they will be few and far between.
Alby, I don't know about you but I'd be very unwilling to invest thousands of dollars of sweat equity into a website with the intent of it generating significant revenue unless I did my homework first. (And before someone complains about the term "sweat equity", anyone who doesn't consider their time and effort as having real, measurable value in dollars will never make it in business.)I agree, a survey is not that useful. The only way to know is to set it up and see what happens.?
Well....I can't see anyone paying for editing either.People that have the software to record will most likely be able to edit I would think.Audio for video cleanned up? I could see that being a specialty ok. Mastering,yeah.People send out mastering all the time but to people that REALLY know how to master,especially if they feel they have really good stuff, like they are producing a cd. I just recorded a band live, great band.There regular "studio" cd they just finished( recorded by themselves) was send to Scott Hull ( I think that is his name).The guy that has mastered Steelydans stuff. I mean they have a really good sounding cd and wanted a really good finishing touch on it.But what about Mastering?
What about people who want their audio for video cleaned up?
What about people who can't edit at all, and just have a file that they need cut at specific parts?
I think there's loads of audio work to be done, but you're right - we probably WONT see a ton of mixing requests up there, unless the mix is going to be done by a industry professional.