the mix on the acoustic track was pretty basic...the guitar was tracked with a 4033 on the body and sm-81 on the fingerboard, each somewhere between 12-14" back in a spaced pair. the vocals were done with the 4033 as well - we tried my NT-2A, but the extra "airiness" of the AT suited the track better
the backup vox were kept pretty simple - 2 takes of each part, each panned roughly 60% L/R with a tab of reverb. also a tad of reverb on the lead vocal, but not enough to really hear it. the spots where the backup vox were out of sync were from her singing it out of sync...i did the job on the super-cheap, and the client was ok with it, so it got left that way.
the punk song had a D6 on the kick, i5 on the snare, and NT5's for the OH's...both guitars were 4x12's close mic'ed with a 57, bass DI'd, vocals were through a 57 as well.
again, the mix was kept pretty basic - guitars panned hard L/R, kick/snare/bass/vox all in the middle...compression on the drums and bass, eq on the snare and kick, even though all the EQ in the world wouldn't bring out the attack in the kick - there was no hole in the front, and being a live demo there wasn't time to take the front head off. i also used some master buss compression pegged at around 2db reduction to help glue it all together.
...last but not least(depending who you ask i suppose), all of it was tracked through my onyx 1640