So much for welcoming a new friend. Is there a moderator here
Lighten up a bit team, and try doing as much audio production as misguided smack talking.
I'm a mod. What can I do for you? Probably not much. You could help yourself though; open up your mic and see if the PCB is so labeled. Or just post a pic, there are several people here who are quite familiar with microphone guts. That will help settle the question of origin.
Not that it seems too much of a question to me:
Gauge said:
Where is the ECM-87 manufactured? The ECM-87 is assembled in China to our specifications. They are then ear tested & hand selected at our studio in California.
Why is the ECM-87 better than the others? Our microphones are very consistent in quality & workmanship. We personally test and hand select each and every microphone before we ship it.
What happens to the microphones that don’t meet your quality control standards? If a microphone doesn’t sound great, we send it back to China. That way, they can paint it black and sell it to another company.
OK, let's think on that statement for a minute. Yes, they are selecting microphones, so we can presume their product is more consistent than other Chinese resellers. But if they are truly shipping product back to China for sale to other resellers, then it stands to reason that the same model is available from other resellers.
Now, are such resellers only supplied rejects from Gauge, or do the rejects go back into a larger pool of mics? Since Gauge isn't that big, I'd bet on the latter. Therefore, the other resellers aren't just selling the dogs Gauge rejected, rather a pool that is perhaps skewed towards the bad slightly--but still would contain microphones that Gauge would accept.
In light of that, the rational thing to do would be to order four or five of the other reseller's mic that cost 1/3 of the Gauge mic, select the best, and return the rest. That takes time, yes, but if one is in the market for cheap microphones, then it is also likely that individual values money more than time. Otherwise, buy an AT or a Shure and get on with it.
I also have to object to this statement:
Our philosophy is also simple:
We believe musicians appreciate the value in a microphone that is hand-picked by experienced engineers with 50,000 hours in the studio making hit records as opposed to microphones that were designed by a technician
who measures sound quality with an oscilloscope.
Apples and oranges. Experienced "engineers" who twist knobs vs. "technicians" who actually design and build stuff? Engineers design and technicians use, they have it backwards. They are technicians, literally, because they are doing tests to select microphones. An engineer would design the selection process, but probably wouldn't deign to do it themself
But I really wouldn't know, I'm not an engineer . . .
No, I want to see them build a microphone with their 50,000 hours in the studio. From scratch please, and no tools like an oscilloscope. No multimeter. No SPICE modeling. They can use a soldering iron and their console, let's see what they come up with
Finally, why does any large-diaphragm FET condenser built in 2009 have 17dBA self-noise? They might want to bone up on that oscilloscope after all!
The preceding post was brought to you by your exceedingly biased moderator, mshilarious