I'm currently doing a mix for Kevin Doyle (who I'm very lucky to have as a teacher) in my audio post program. First mix of the semester, no pressure
Some notes of mine upon listening back:
- I feel the drums could be punchier (possibly just a level boost in db as the drummer is very good, on great gear, and in a beautiful room)
- The vocals feel TO outfront (or just straight up to loud) and unbalanced (the singer did a live off the floor cut with the band and therefore was in and out on the mic a lot. they kept that take, so the proximity effect is happening often. anything on how to counter the proximity effect on this track would be awesome perhaps a multiband compressor to reduce the peaks in her voice at the frequencies that really pop hard. i have compressed the vocals fairly heavily but it still hasn't smoothened them out as im hearing in my head. a pass of volume automation with the fader could possibly do it too)
Those are the main things that popped out to me upon listening back. Do you hear anything weird? And what are somethings I could do to fix these?
Thanks a ton
Some notes of mine upon listening back:
- I feel the drums could be punchier (possibly just a level boost in db as the drummer is very good, on great gear, and in a beautiful room)
- The vocals feel TO outfront (or just straight up to loud) and unbalanced (the singer did a live off the floor cut with the band and therefore was in and out on the mic a lot. they kept that take, so the proximity effect is happening often. anything on how to counter the proximity effect on this track would be awesome perhaps a multiband compressor to reduce the peaks in her voice at the frequencies that really pop hard. i have compressed the vocals fairly heavily but it still hasn't smoothened them out as im hearing in my head. a pass of volume automation with the fader could possibly do it too)
Those are the main things that popped out to me upon listening back. Do you hear anything weird? And what are somethings I could do to fix these?
Thanks a ton
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