Dear guys:
I've bought a pair of cheap B2 to record a drum, the roof is about 2.2m high, the shape of the room is not trully squared, but it's padded with "so called" studio foams, nothing much expensive.
The B2 itself need phatom power, without it, i get no sound. With phatom power, it's bloody loud even the mixer's head gain is turned to the left. It have a -10dB pad, when used, everything is ok, but still a bit loud.
I may have made a mistake by pointing the mic towards the whiteboard behind the drummer, which gave me the reflected sound of the mashall stack in front of the drums.
It consistently pick up unwanted sound on about 15cm above the cymbals, 35cm above the tom. What method will any experts from here suggest me to use if I want to clear those unwanted sound and leaving me with the cymbals i want? Or generally what will u guys use to extract the track for only the cymbal sound?
Thanks for advice given.
Kenoir
I've bought a pair of cheap B2 to record a drum, the roof is about 2.2m high, the shape of the room is not trully squared, but it's padded with "so called" studio foams, nothing much expensive.
The B2 itself need phatom power, without it, i get no sound. With phatom power, it's bloody loud even the mixer's head gain is turned to the left. It have a -10dB pad, when used, everything is ok, but still a bit loud.
I may have made a mistake by pointing the mic towards the whiteboard behind the drummer, which gave me the reflected sound of the mashall stack in front of the drums.
It consistently pick up unwanted sound on about 15cm above the cymbals, 35cm above the tom. What method will any experts from here suggest me to use if I want to clear those unwanted sound and leaving me with the cymbals i want? Or generally what will u guys use to extract the track for only the cymbal sound?
Thanks for advice given.
Kenoir