robin watson
New member
Old vintage Selmer saxophone, absolutely exquisite player. Mics at hand:
Milab DC96B (probably the best mic I've got in the rack): some serious reed rasp and noise coming from an instrument in need of some TLC. I've recorded this guy before with decent results using just an SM58, so it's not his technique, definitely the instrument.
Rode NT1A: same problem, just too much rasp going on.
Beyer M88: not happening at all.
Ended up with a '57. Was disappointed not to be able to use a more sophisticated mic setup - his playing is certainly worth the effort of capturing the best way possible. The '57 wasn't all that inspiring, and I'm left with a rather thin, nasily sounding dry track, which will definitely need some bass boosting to give it some body, while taming the upper mid rasps described above (albeit minimized with the use of a dynamic mic).
Any pointers for sax EQ'ing? The arrangement are quite sparse: vocal(s), guitar(s) mainly, with the odd song having upright bass. I'm thinking of Coleman Hawkins, Nighthawk, up close and personal kind of stuff (which is how he plays, breathy and all). Anyone compress sax to any degree, and if so, what kind of settings?
Sorry, long post, and probably not really answerable either! Oh, well...
Milab DC96B (probably the best mic I've got in the rack): some serious reed rasp and noise coming from an instrument in need of some TLC. I've recorded this guy before with decent results using just an SM58, so it's not his technique, definitely the instrument.
Rode NT1A: same problem, just too much rasp going on.
Beyer M88: not happening at all.
Ended up with a '57. Was disappointed not to be able to use a more sophisticated mic setup - his playing is certainly worth the effort of capturing the best way possible. The '57 wasn't all that inspiring, and I'm left with a rather thin, nasily sounding dry track, which will definitely need some bass boosting to give it some body, while taming the upper mid rasps described above (albeit minimized with the use of a dynamic mic).
Any pointers for sax EQ'ing? The arrangement are quite sparse: vocal(s), guitar(s) mainly, with the odd song having upright bass. I'm thinking of Coleman Hawkins, Nighthawk, up close and personal kind of stuff (which is how he plays, breathy and all). Anyone compress sax to any degree, and if so, what kind of settings?
Sorry, long post, and probably not really answerable either! Oh, well...