Prorec review
I read that review a long time ago. I don't agree with some of what the guy said. Especially when it came to the idea of digital interfaces on the Roland speakers. For starters, 24-bit will be the standard for years to come, and it's a great way to get audio into the speakers without concern of picking up noise along the way. On top of that, in the distant future...if it ever goes beyond 24-bit....and we can tell the difference...then you can use the analog inputs instead of the digital. You've gotten years of use out of these S/PDIF interfaces, and still have a nice set of Amplified Studio monitors through it's standard Analog inputs. I love my Roland DS-90a's! I didn't care for the DS-50's, but these sound great.
In some of the cases, the person that wrote that article was rather biased. Granted, if you want the best in this type of monitor, definitely you'll want something like the Mackie HR524's...but the price is much higher than the already high cost of $450 each on
the Roland DS-90a's.
The only real way to choose speakers for yourself is going to be:
1. Read what people are saying in these reviews
2. Read what people are saying in these newsgroups
3. Talk to people in several music stores
4. Set yourself a reasonable limit in costs
5. Listen to anything and everything in your price range and make your own decision.
I did it this way, setting myself at the beginning to a $500/pair limit...before a full investigation. However, one that was lacking for me amongst all of the speakers in this category was bass response. I am a bass player, so I couldn't deal with this. I tested
JBL LSR-25P,
Yamaha MSP-5 and
MSP-10 (and some other 'I forget which' model That sounded good), Behringer Truths, Mackie HR524 (for comparison), Roland DS-90a, Roland DS-50, and a few others.
Tom Kemp