Hi, my father has a live sound company and i usually end up using his mics as i dont feel theres a need getting any for myself as I can borrow his at almost any time. He´s got loads of sm57s, more than 20-30 i think and Sennheiser md441 and md421 s. EV RE-20, Shure B52´s. And lots of Akg c391, Akg c3000, sennheiser s-604, some milab mics and a truckload of sm58´s and some other mics I cant remember the name of. For preamps, its a different deal. The only "great" preamps he´s got is in the Yamaha pm1000 or whatever its called, the one desk that yamaha techs seem to have got pristine clean preamps on. And on other even bigger mixingdesks that I in no way could get into my small basement studio, especially considering I´d have to transport it back to him as soon as i was finished. These desks weigh like 500kilos, plus the rack with powersupplys... so i have to use the usual mackie vlz pro mic pres in conjunction with a Mindprint di-port. So I was wondering on how big of an improvement i would get in my recordings if I got somethink like the peavey vmp-2, everyone seems to swear by those. Mind im in a pretty crappy room, but i get pretty decent results. Some of you heard the songs I have recorded. If youre interested just do a search or scroll a few pages back in the mp3 mixing clinic.
So what I want to know, should I buy a better pre, or should i save my pennies, or perhaps buy acoustic treatment or what?
thanks alot
Jonas H
So what I want to know, should I buy a better pre, or should i save my pennies, or perhaps buy acoustic treatment or what?
thanks alot
Jonas H