The keys sound good. I might scale back some of the FX on the vox tho.
Edit: Pulled up the original. They seem to have a little of the phaser effect that you have too. It's a lot less pronounced tho, and it sounds like it's less an effect than the way his voice interacts with itself while multi-tracked.
Yep. You got it, bud.
I actually did the tracking of this using a TC Helicon voice box ... the one where you can add harmonies w/ yourself? It has a chorus/doubler built into it, and so I ran the vocal through that and then into the recording console. Truth be told, I thought it sounded fine live (through the PA). It wasn't until I got the tracks up in the studio that I went, "Whoa -- that's SWIMMIMG in chorus." By then, though ... it was what it tracked.
The UI24 is an interesting box, though. It's got 24 inputs and 12 outs (2 mains - 8 aux), so it can be used for PA purposes ... which is what my band uses it for. The "console" is virtual ... via wired or wireless tap. It is browser based, so all you need to do is connect, and the console is internally accessed via the device.
The kicker is that it can either record direct to a USB thumbdrive (or USB SSD) or via a USB cable to a DAW. So what I've been doing. I've been recording onto a 125G stick and then transferring the files/tracks up to my studio to work on my main DAW (Sonar).
It's a new methodology, but I'm having fun learning it.
I DID, though, eventually dry up the vocal when I rolled the tape on this Billy Joel cover: