@audio_leak
Gear:
Guitars: Gibson SG faded edition, mid level ibanez w/upgraded pickups.
Amp: Mesa Dual Rec 2 channel older version not the fizzy newer 3 channel version.
Cab: Mesa 4x12 slant
Pedal: Maxon 808 tube screamer used ONLY AS A BOOST!
Cables: Monster mid level cables.
Mic: 1 SM57.
Interface: Firepod with built in pres.
Software: (this doesn't make a difference in sound but I use Sonar.)
Recording Process:
I used a single sm57 point dead on about an inch or 2 to the right of the center of one of the speakers almost touching the grill. I surround the amp with absorbers I built and elevated it with a mail carton. The settings on the mesa were something like master 12:00 bass 11 presence 12:30 mid 1:00 treble 1:45 gain 11:30-12:00. I had it switched to vacuum tubes and spongy. Also I switched the red channel to vintage instead of modern and it sounds wayyyy better. Much less fizz. Most people go straight for the Silicon Diode/Bold/Modern settings this is only when you want your guitars to sound sterile and your in a crappy metal band. So my advice is to stick with vacuum tubes for recording. But Diodes are cool for live IMO cause they're LOUD! So before the boogie I put a Maxon 808 with the volume set to max, distortion off, and the tone at 12:00. This is used just as a boost to combat the flabby low end mesa's have and makes the palm muting much better.
Track Layout:
Guitars are quad tracked. 1 of each guitar on each side so left= gibson and ibanez and right= other gibson track and other ibanez track. This might have been over doing it though. I probably could have gotten by with just double tracking and many of the songs on this new cd that were making I did only double track.
Mixing Process:
I sent everything to one bus for processing. Ok if I remember right I had a low cut filter at around 100hz to make room for everything else. Sounds bad in solo but make a huge difference in the mix. I had to do a surgical cut with a q of about 3.00 at 130hz because of the boominess I encountered. I pulled about -8db there. Next I took out about -4db at 400hz for tighter palm muting and I kind of cranked the mids more than i would when I recorded so I was expecting this. Had a boost of about 3db at 2khz for bite and cut. Boost 6db at 8khz for sheen and a sort of hi freq richness (looking back I would have boost more presence and treble on my amp to get this instead of doing it in the mix but it turned out ok.) Then did a 3db boost at 10khz for a more commercial sound but I am still not sure if I like that or not. It got a little fizzy when I did that. Then I added a compressor. Something like 5ms attack don't remember the release, 4:1 ratio, and about 6db of reduction.
Concluding Thoughts:
So yeah if your trying to get good guitar tone these are the universal rules that I learned on this forum and others:
1. PUT NEW STRINGS ON AND TUNE YOUR GUITAR!
2. Tube amp. Do it. If your going to record a live amp just go tube otherwise just do a guitar sim.
3. Decent pres, decent mic, decent cable.
4. Many people think that the room doesn't make much of a difference in recording close mic'd guitar amps but I disagree. Just make some absorbers to toss around the amp, I made mine for about $80. Makes a world of difference.
5. Check out this video. Someone posted it in this very forum a while ago and it has really helped me. Even though it says heavy metal guitar tone its really just a guide to good guitar tone.
http://www.imperialmastering.com/guitartonevid/
Hope this helps you.