When you say room in room, that implies that you are planning on floating a floor, with the room built on the floating floor. Is this your plan? Staggered stud walls will help, but if they are connected to the existing floor and ceiling, it would seem structural transmission via the existing floor and ceiling, could possibly negate the staggered wall scenario. I'm no expert, and I'm sure for a home vocal booth this may be ok, but I tend to think towards a more substantial solution. It depends on your situation though. City noise floors, such as freeway traffic, trains, helicopters, motorcycles and gunfire
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etc, can be difficult to isolate. Your tolerance level for unwanted sound intrusion is really what determines the construction, and only you know what your environmental noise floor, and simultaneous sound levels from adjacent rooms will be. Everybody has a different set of criteria and tolerance levels.
That is really the bottom line for the type of assemblies required. Although budget usually has the last say.
Lets put it into prospective.I don't like to be accused of spreading "netfact" but I was personally told(via the net)by an acoustical "authority", about an experimental CONCRETE shell, and inner CONCRETE floating room, where a 9 mm pistol was fired within the floating room, and people positioned around the shell heard NOTHING. When a small wooden wedge was inserted between the airgap, so it touched both the outer and inner envelope, a small portable radio was placed within the inner room(with everything sealed), and could clearly be heard around the perimeter of the outer shell. Structural transsmission is not fiction.
fitZ
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