Anch, what they did to you was unfair and wrong. You are from Russia, you say? Try Oktava MK012 for recording and Shure SM-57 for live stage. If you have more rubles, AKG 414 will work well for both. I have seen stunning stage work done with the 414 and an Irish flute. Another cheap option is Oktava MK219/319, more good Russian microphones. Don't support our economy, support your own for a better life. I use Russian mics because I can't find affordable equivalent American mics, and if I could, they'd be Chinese, anyway. Try your fagot in front of some Oktava mics, you won't be disappointed. I bet your bassoon would love
an Oktava ML52 ribbon mic, and you don't even need phantom power. Tell us what you decided. I'm sure many people on this board would like to know what Oktava microphones cost in Russia in $US. Welcome to the board!-Richie
P.S. I'm sorry Anch, I just reviewed your original post, and you're talking about live performance only. It partly depends on the sound equipment you have, how loud you have to be, and what other people you're playing with. The Oktava mics above are mostly for recording. The AKG 414 will work great for small ensembles in smaller places, but is expensive and requires phantom power. Shure SM-57 works fine for cheap. I'm sure there are compareable Russian dynamic mics, but they don't export them here, so I don't know the models or pricing. If you have phantom power, I'm willing to bet that the hypercardioid version of an MK012 (MC012) would work well for a small stage. In a big place or loud, they'll feed back. Then you get an SM-57. Hope this helps-Richie