nonovice said:
I actually have a little cash together so I think I'll purchase the md and re mics. I'm sure I'll find a use for the one I don't use now in the long run. Just glad to hear I wasn't barking up the wrong tree. Is there any condenser mics that you guys might use instead of the md for a similar situation?
The difficult part of being an engineer is getting to know your microphones. Any guy can put a microphone in front of a cab and make it sound decent after some tweaks.
But recording a jazzband, bigband, orchestra, choir or even worse an orchestra and a choir requires skill and craftmanship in order to make it sound really good.
So you have to know which mic to use in what application and most important: why.
This has everyting to do with pattern, sound, off axis response and a number of other things.
So, if you ask: 'Is there any condenser mics that you guys might use instead of the md for a similar situation'? I would say yes, but in the case of the MD441 it wouldn't be a cheap condenser, at least an MXL V77S but I'd rather use a Neumann.
Because the MD441 will swallow most cheap condensers for breakfast and shit it out before lunch, like Fletcher would have put it.
IMHO the MD441 is about the only dynamic that can compete with really good condensers, it will sound wonderful on many applications, it'll sound gorgeous on soprano and alto saxophone and even great on tenor sax or trumpet. It'll even sound great on violin, how many dynamic mics can sound great on violin? Perhaps only one and that might be the MD441.
Enjoy your MD441, it will cost you a couple of bucks, but you'll never regret you did spend them.