Cageofmind said:
Okay, So I know this is a really stupid question, and I am sure it has been answered a million times in this forum, but what the hell is Mastering? What is the actual process you go through to Master a product? I am so confused. I am really just trying to get a better understanding of all this. Help me! Thanks!
There really isn't a set process to mastering anymore than mixing. Basically it can be broken down to:
1. Critical listening to the material.
If it's an analog source this will come from a tape machine, for digital it's usually loaded into a DAW first so that the ME can listen through his set of converters.
A pro studio will have a very accurate room and monitoring system to ensure that what they are hearing is not colored in a negative way.
2. Deciding what needs to be done in order to make the music translate well across audio systems, and to be "competitive" with other commercial releases. This can be nearly any type of processing needed but usually consists of EQ, compression and limiting, dither, and on some occasions more specialized processing like spectral enhancement, M/S processing, automation, de-essing, and others.
It's critical that the processing used be of a high enough quality that few remnants of the processing are introduced, otherwise the "cure" may be worse than the "disease".
3. Performing the processing and loading into a workstation (if not done already).
4. Editing the content (fades, intro, etc.) and assembling the final CD. The final "premaster" (the master is what the dupe house creates) can be created on a CD-R, DDP tape, or ocassionaly one of the older formats.
5. Creating any documentation needed and performing quality assurance for the premaster.
There's more involved, but someone could write an entire book on it, and has. For more info check out Bob Katz "Mastering Audio - The Art & Science".