heylow
New member
A couple of questions, really. I targeted Bruce cuz he knows the Mackie 8bus and his way around this stuff in general.
First off...The deal:
I have a Mackie MDR recorder, a Mackie 24.8, a pair of Event 20/20bas (powered) monitors, a minidisc recorder (I'll get to why)and some various comps and whatnot.
Right now I need to hook myself up to use the board for band rehearsal (vocals mainly) to a power amp and floor wedges as well as hook it up for recording. Now, while rehearsing I like to be able to run a simple mix of vox, 1 OH, 1 Kick, Bass and guitar to the minidisc for ideas but of course do not want all that coming through the floor wedges. I also want to move between rehearsing and recording without tearing the whole rig apart!
So is this correct:
Studio monitors connected to "control room output" jacks, Minidisc recorder being fed and mixed from "Main mix" (top 1/4" jacks) and coming back through "2 track input" and Power amp/floor wedges mixed and fed via "aux send 1."
Then the Mackie recorder hooks up via the "tape out and ins" on the back, yeah? Please let me know if I have a handle on this? Is the best way to go? Any bits of advice? Better ideas?
One more thing.....
On the back of each of my powered monitors is an on/off switch. When I shut them off (inividually), I get a click/pop through them. You know the sound How can I avoid clicking and popping when turning stuff on and off? I have a small Furman rack mounted power conditioner thing....if I power everything (the main stuff) through that and just turn EVERYTHING on and off via the master switch, would that be good? Would it fix the problem, do you suppose?
Man, I just graduated all at once from the 4 track cassette world and it's a big step from that and my Mackie 1402 to what I got now. I just got a HHB Radius 40 I haven't used yet cuz I'm trying to figure this out before band practice Thursday!!
OK....sorry...one more:
On my 1402, you used to get levels by soloing and it did not matter where the channel fader was at. Am I to understand that the channel fader has to be up (at unity to start with) to solo and check levels?! If so, how does that work when you mix? If you turn the fader down quite a bit, the signal is still correct and uncompromised? Man, I think I'll be posting a lot more in the near future
Got a Rode NTK coming, all this great new stuff, and I'm still soloing and level checking my lousy 58 for rehearsal....think I bit off a bit more than I am able to chew THIS time!!
Thanks in advance Bruce and anyone else brave enough to read this far!
heylow
Not quite as much of a rock jedi lately/but still an indie snob
First off...The deal:
I have a Mackie MDR recorder, a Mackie 24.8, a pair of Event 20/20bas (powered) monitors, a minidisc recorder (I'll get to why)and some various comps and whatnot.
Right now I need to hook myself up to use the board for band rehearsal (vocals mainly) to a power amp and floor wedges as well as hook it up for recording. Now, while rehearsing I like to be able to run a simple mix of vox, 1 OH, 1 Kick, Bass and guitar to the minidisc for ideas but of course do not want all that coming through the floor wedges. I also want to move between rehearsing and recording without tearing the whole rig apart!
So is this correct:
Studio monitors connected to "control room output" jacks, Minidisc recorder being fed and mixed from "Main mix" (top 1/4" jacks) and coming back through "2 track input" and Power amp/floor wedges mixed and fed via "aux send 1."
Then the Mackie recorder hooks up via the "tape out and ins" on the back, yeah? Please let me know if I have a handle on this? Is the best way to go? Any bits of advice? Better ideas?
One more thing.....
On the back of each of my powered monitors is an on/off switch. When I shut them off (inividually), I get a click/pop through them. You know the sound How can I avoid clicking and popping when turning stuff on and off? I have a small Furman rack mounted power conditioner thing....if I power everything (the main stuff) through that and just turn EVERYTHING on and off via the master switch, would that be good? Would it fix the problem, do you suppose?
Man, I just graduated all at once from the 4 track cassette world and it's a big step from that and my Mackie 1402 to what I got now. I just got a HHB Radius 40 I haven't used yet cuz I'm trying to figure this out before band practice Thursday!!
OK....sorry...one more:
On my 1402, you used to get levels by soloing and it did not matter where the channel fader was at. Am I to understand that the channel fader has to be up (at unity to start with) to solo and check levels?! If so, how does that work when you mix? If you turn the fader down quite a bit, the signal is still correct and uncompromised? Man, I think I'll be posting a lot more in the near future
Got a Rode NTK coming, all this great new stuff, and I'm still soloing and level checking my lousy 58 for rehearsal....think I bit off a bit more than I am able to chew THIS time!!
Thanks in advance Bruce and anyone else brave enough to read this far!
heylow
Not quite as much of a rock jedi lately/but still an indie snob