I have questions on how all the Dynamics Processors work actually, so if anyone can direct me to instructions for them, I'd be much-obliged. I can't find them in the SONAR help.
I pretty much understand the Compress and Dynamic Processor for the most part, and I thought I understood the Limiter as well since it seems fairly straightforward, but I was wrong. I have an audio clip that peaks at maybe -6db or so with RMS around -18db on average, judging by the meter. So to test out this Limiter, I patched it in to the track's FX bin and set the Limiter Threshold at -11db. I play it back, and the thing is cranked and clipping a bunch with a peak reading of 2.7db! Sure, I've got lots to learn, but I thought I at least understood what a Limiter was! Can anybody tell me what the heck is going on there? Shouldn't it "limit" the audio so it peaks no higher than the threshold (or maybe slightly higher due to some detection/clamp-down lagtime)?
Also, what's do the Maximum and Side Chain mean in the Stereo Interaction? Or how do you make it work in that mode? I thought to side chain a compressor meant to have the compression work on a track based on looking at levels on a processed signal of that track or a different track altogether... yes?
So many questions... I wish I could find this stuff in the help!
Anyway, thanks for any light you can shed on this stuff for me!
-Jeff
I pretty much understand the Compress and Dynamic Processor for the most part, and I thought I understood the Limiter as well since it seems fairly straightforward, but I was wrong. I have an audio clip that peaks at maybe -6db or so with RMS around -18db on average, judging by the meter. So to test out this Limiter, I patched it in to the track's FX bin and set the Limiter Threshold at -11db. I play it back, and the thing is cranked and clipping a bunch with a peak reading of 2.7db! Sure, I've got lots to learn, but I thought I at least understood what a Limiter was! Can anybody tell me what the heck is going on there? Shouldn't it "limit" the audio so it peaks no higher than the threshold (or maybe slightly higher due to some detection/clamp-down lagtime)?
Also, what's do the Maximum and Side Chain mean in the Stereo Interaction? Or how do you make it work in that mode? I thought to side chain a compressor meant to have the compression work on a track based on looking at levels on a processed signal of that track or a different track altogether... yes?
So many questions... I wish I could find this stuff in the help!
Anyway, thanks for any light you can shed on this stuff for me!
-Jeff