Steve Henningsgard
New member
Got a call today from a post-house that's short-staffed next week and needs an engineer for a few VO sessions, one of which is with (apparently) an "important client", and I'm somewhat nervous. Put me into a rock/metal recording session, and I'm good to go, but I haven't recorded much voice work.
I'd appreciate any advice & tips I could get from a more experienced VO engineer: are there any of you out there? I'm not sure of what equipment they're running, but I'd assume it'd be an LDC or ribbon, pop-filter in front, into Pro Tools. Assuming the talent I'm working with is experienced enough to handle his/her end of the equation, how hot should I be running into PT? Should I compress on the way in?
This could potentially lead to more work for me, so I'm (again) somewhat nervous!
I'd appreciate any advice & tips I could get from a more experienced VO engineer: are there any of you out there? I'm not sure of what equipment they're running, but I'd assume it'd be an LDC or ribbon, pop-filter in front, into Pro Tools. Assuming the talent I'm working with is experienced enough to handle his/her end of the equation, how hot should I be running into PT? Should I compress on the way in?
This could potentially lead to more work for me, so I'm (again) somewhat nervous!