funckyfinger
New member
Could someone explain the advantage of 24/98 recording over 16/44.1. Am I correct in that when the final tracks go to cd it is all converted to 16/44.1 ? If that's the case in my mind it seems there would be little to gain.
$a1Ty said:yeap record at 24/44.1 here
RAK said:The other difference from a purely "organizational" point of view is the amount of disk space the each file takes up.
1 minute of stereo 44.1kHz/16 bit audio is about 10 MB
1 minute of stereo 44.1kHz/24 bit audio is about 15 MB
1 minute of stereo 96kHz/24 bit audio is about 33 MB
So that may also be a factor when deciding what sample rate/ bit depth combination to use.
QUOTE]That of course speaks only to disc space, and not to the system resources needed to process the tracks. So even if you've got terrabytes of storage, but megabytes of ram and processor speed, be aware of the sytem load that higher sample rates impose. By all means though, record and mix at 24 bits. Just make sure that you dither rather than just truncating when you reduce to 16 bits. There are various dithering algorthms, and you should read up on the subject a little.
Robert D said:By all means though, record and mix at 24 bits. Just make sure that you dither rather than just truncating when you reduce to 16 bits. There are various dithering algorthms, and you should read up on the subject a little.
24-bit is well worth the effort. It's really not a big deal so give it a tryfunckyfinger said:This makes me think I may be better of just recording in 16/44.1. The recording end of music seems much harder for me than playing it. I
There are only a couple reasons for this.Yareek said:I haven't noticed a difference recording between 16 and 24 bit but I usually record loud rock stuff so I don't know.
Farview said:There are only a couple reasons for this.
1. You are using a soundblaster product, so you aren't capable of recording at true 24 bit.
2. Your monitoring won't let you hear the difference
3. You are recording with your levels so hot that the sound is smeared so badly you can't tell the difference.
Farview said:The EMU should be ok. The difference between 16 and 24 bit is in the detail and the noise floor. If you don't record anything with any detail and the levels are so hot that the noise floor isn't an issue, you might not notice.
It is worth your while no matter what you are recording. Even if you don't have the playback system to hear the difference right now, you will at least capture it in all it's glory.funckyfinger said:So if I'm recording primairly vocal and acoustic guitar with alot of soft/hard passages the general thoughts are that it would be worth my while to upgrade to 24 bit?