If you have a real drummer, then yeah that's the issue in a nut shell. But if the people asking these questions had real drummers, we wouldn't even be talking about EZD. Everything I'm saying to buff up EZD is coming from a guy who has no drummers to record. I'm telling the poster that the next best thing is EZD IF you dont have a real drummer. Don't pull the intended message out of context, it turns it into apples vs oranges. Of course everyone knows a real drummer is always better. If the OP has a real drummer handy all the time, then why would he ask the question?
You're absolutely right in every point you made. But what a boring world this would be if everyone that was asked a question answered it straight without all the nuances and differences that make for debate and different sides of the coin.
Having said that, I disagree with you. I'm willing to bet that there are plenty of people in the recording game, hobbyist and pro, that would rather have something like EZ drummer as opposed to a human drummer and an acoustic kit, even in the supposedly wonderful sounding room. This has been the state of affairs since the mid 70s when bands like Kraftwerk were pioneering industrial rhythms and Donna Summer's producer was creating beats and rhythms on synthesizers on some of her disco hits. And the invention of the drum machine was not because of a lack of real human drummers. The drummer was the norm in those days. And throughout the hip hop explosion of the 80s when sampling became
de rigeur and the "R&B" strides of the 90s when on almost every album credit list was found "Drum programming by......" there was no lack of drummers. Those pros recording in pro studios with pro engineers and pro producers with access to tons of great session musicians
if they wanted them chose instead to go with programmed drums. They're not even necesarilly more convenient. You've got work to do on those babies.......
But people grew to like the
sound sometimes. And you can bet your shoulder blades that things that are happening within studios will sooner or later be replicated in the home recording scene.
When I listen to some of the albums I have by the likes of Seal, Erykah Badu, Des'ree, US3, Anne Nesby, Laurnea, Chante` Moore, Omar, Maxwell,Tony Rich project, D'angelo, Adrianna Evans and stuff of that ilk, the programmed drums are another sound altogether. They may be doing pretty much what real drums do but their sonicity is different and as such, real drums would actually
detract from the overall result.
I think we might be surprized to discover that there are are actually people on the home recording horizon who actually do prefer the EZ drummers of this world.