I recorded a Pearl chrome snare drum this weekend and my first effort had a SM-57 on the top head in the usual position; 45 deg angle about an inch above the rim, maybe an inch inside the rim. When I solo'd the track, it came out sounding terrible, almost like a towel was over the mic.
I moved the mic around and after a few takes, I settled on a 45 deg angle off of the bottom head! This sounded more natural, but it doesn't seem logical.
Any thoughts or similar experiences? I'm thinking that because of the proximity effect of the 57, that it only picked up the top head sound and almost no snare sound at all.
What close micing setups have given any of you a good crack out of the snare?
I moved the mic around and after a few takes, I settled on a 45 deg angle off of the bottom head! This sounded more natural, but it doesn't seem logical.
Any thoughts or similar experiences? I'm thinking that because of the proximity effect of the 57, that it only picked up the top head sound and almost no snare sound at all.
What close micing setups have given any of you a good crack out of the snare?