Hey Jon,
Very clean recording. Something for me to aspire to. I dug the tight, smooth and flavorful rhythm gits. I was left in want of a snappier snare and more prominent kick but, that could very well be my end.
The backup vox were well placed and sounded really good. The problem was the fact that they stood out more than the lead vox
. I'd push the vox up for sure. It kinda sounded like the lead vocals were behind the drums, off stage, sereptitionly singing through a hamonica mic while the backup singers (yes, I know "they" are you
) are flanking the non-existant singer on center stage...............O.K. not that bad, but that is the visual that coincided with the placement and tone of the vox. Push em up and if you don't like how they sound, then double them or tripple them or modulate with verb and chorus or whatever. But, you can't get away with hiding the lead vox.
I know this is kinda hammering the point home but, on your other (very good) tune you did the same and the song really came alive after you remixed and upped the vox. You've displayed an acute knowlege of mixing and music in general through your comments on others tunes so you know better than to hide a track period, much less a lead vocal.
Ohh, I really liked the backup vocal sweep that lead into the exit!! So simple but, sooo cool. It might have more of an effect if another element was more centered (and the center of attention) in that part of the song. Maybe a lead git simpley sustaining and following the notes of the backup vox and that vox sweep a little lower than the git in the mix. Just a thought.
Hope this wasn't too littered with my taudry opinions. As it stands, the mix is clean like my mamma's kitchen and the playing is tight and pleasing to the ear!!!
Peace,
Theron.