bassbrad
New member
Do you use amp modeling or multi-effect instead of amp for recording?
I know it is a terrible concept because we all love our amps but still....
Personally I don't have the big bucks or space to deal with all the truly wonderful amps out there, and the volume levels needed would get the cops called out by my cool neighbors, but modeling brings a lot of those sounds home at easy to deal with prices and volume. Not that I don't have a sweet recording amp, '65 Fender Bassman with preamp mod and 1/2 power mod 1x12 Mitchell small Thiele with EV 12L
I have just convinced another guitar player to go with amp modeling for recording instead of using an amp. Had the studio amp and mic all set up to go but showed him my new studio toy AdrenaLinn III, dialed up a model of his favorite dream amp, #30 Marshall Plexi, tweaked it a bit added some compression, delay & 'verb and he didn't even want to bother with the amp, sat perfectly in the track. Next tune we scrolled thru some of the High Gain (& super money) amps and settled on # 45 Diezel VH4, an amp he had always admired, a bit of a tweak and whammo perfect tone for the trak.
I know it is a terrible concept because we all love our amps but still....
Personally I don't have the big bucks or space to deal with all the truly wonderful amps out there, and the volume levels needed would get the cops called out by my cool neighbors, but modeling brings a lot of those sounds home at easy to deal with prices and volume. Not that I don't have a sweet recording amp, '65 Fender Bassman with preamp mod and 1/2 power mod 1x12 Mitchell small Thiele with EV 12L
I have just convinced another guitar player to go with amp modeling for recording instead of using an amp. Had the studio amp and mic all set up to go but showed him my new studio toy AdrenaLinn III, dialed up a model of his favorite dream amp, #30 Marshall Plexi, tweaked it a bit added some compression, delay & 'verb and he didn't even want to bother with the amp, sat perfectly in the track. Next tune we scrolled thru some of the High Gain (& super money) amps and settled on # 45 Diezel VH4, an amp he had always admired, a bit of a tweak and whammo perfect tone for the trak.
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