Do i really NEED a compressor?

[60's guy]

I haven't met a compressor that cannot change the sound.

You may not have *met* one yet, but that doesn't mean that they don't exist.

http://www.homerecording.com/bbs/showthread.php?t=33873

 

[fraserhutch]

You may not have *met* one yet, but that doesn't mean that they don't exist.

http://www.homerecording.com/bbs/showthread.php?t=33873

Geez dude, name a compressor that cannot change the sound of the signal.
Now you're confusing coloring with changing the sound.,

Any compressor can be used to change the sound of a track without expressing being used for managing the dynamics.

 

[60's guy]

Geez dude, name a compressor that cannot change the sound of the signal.
Now you're confusing coloring with changing the sound.,

Any compressor can be used to change the sound of a track without expressing being used for managing the dynamics.

fraserhutch,

I think this discussion we are involved in is very important and I appreciate your comments more than you may realize.

I'm curious as to what others consider the difference between "coloring" or "changing" the sound of a track when employing a compressor. Is there a difference? According to that poll many think that the RNC doesn't color. Does it change the sound in any way?

I've used the onboard compressor of my AW16G and from what my ears discern it doesn't "color" or "change" the sound, that is unless I drive it to the point of pumping.

As I stated, it's a good discussion. I'm looking for an outboard compressor. While the compression feature on the AW16G is adequate, it's not as sweepable as I would prefer it to be. To be fair, I do have a couple outboard units (that shall remain nameless) that I find to be inherently noisy probably because they're el-cheapo units.

Peace

 

[SonicAlbert]

Well, I think that with *any* compressor you are going to have an interaction with the original track, so in that respect there will be a change. I mean, that's why you want to use the compressor in the first place, right? To change the sound in a hopefully positive way.

With some compressors though you may not want the original tone changed much or at all, and just desire the dynamics altering aspect of the compressor. So a relatively uncolored compressor is what you would want to use. There is a lot of grey area here though, as even an "uncolored" compressor can be very noticeable if the compressor is laid on thickly. And likewise, some compressors known for their color, like the Distressors, are very very clean if the compression is used lightly. So there is a large area for debate.

The other thing is, it takes time and experience to learn what compressor sound you like on your music, and which compressors do what to the tracks. I've bought and sold a number of compressors because I thought they might be good for what I wanted but weren't. I've also kept those that I find I like.

For example, I love my DBX 162. This particular unit was made in 1978. I find that I like the sound of putting this on digital tracks that are a little too "pointy" if I may use a totally subjective term. The slowness of the old compressor and the slightly thick tone just tend to take the edge off the tracks and make them sound that much more pleasant to the ear. At least to my ear. So now I know what that sound is, and I'm gradually learning how to use it. Same with my other compressors, all of which sound different.

Because of the very interactive and personal nature of compressors, I find it a little hard to offer cut and dried type advice about them. It's more like you need to figure out what sound you are going for, and then take it from there. For "uncolored" compression on a budget I'd recommend the RNC, or used Aphex Expressors. In a way it's easier to find compressors that add their own specific color to the sound, and it's also a lot of fun to use them that way too.

 

[fraserhutch]

With some compressors though you may not want the original tone changed much or at all, and just desire the dynamics altering aspect of the compressor. So a relatively uncolored compressor is what you would want to use. There is a lot of grey area here though, as even an "uncolored" compressor can be very noticeable if the compressor is laid on thickly. And likewise, some compressors known for their color, like the Distressors, are very very clean if the compression is used lightly. So there is a large area for debate.

This is what I was getting at. In fact, with the advent of 24 bit digital ecording, the *need* to compresds going in is becoming less and less, imho. On the other hand, compresson is often used, as is eq, to make tracks punchie and to get them to sit better in the mix. So, I find myself less using compression less and less going in and more and more in the box so to speak.

Thanks for saying it better than i did, SA.

 

[thesobe]

Thanks for all the replys/discussion. I don't think i'm nearer my decision however. Heres a link to a couple of tracks as promised...we weren't satisfied with the drum sound, hence my quest for new gear, so you will notice the lack of drums on the tracks.

http://bjm.f2o.org/entropy/music

Feel free to comment on anything, and i hope this will give a clearer picture of whether or not i would benifit from having an outboard compressor.

Cheers